“I could measure my progress with metrics like number of scabs collected, number of inches ollied,” writes Nick Courage, in his great piece about rediscovering skateboarding in his thirties. “There was an objective truth to the sport; unlike my writing, my powerslides were self-validating.”
If the description “a comic thriller about mermaids, the natural world and ruthless capitalism” isn’t enough to pique your interest, you might be inspired to pick up Lydia Millet's latest by the title of Laura Miller’s review, which describes Millet as “the P.G. Wodehouse of environmental writing.” At Salon, the book critic goes into the many reasons she enjoys Millet’s work, among them the author's knack for deploying humor at appropriate times. FYI, Millet wrote an article for The Millions recently.
A Mississippi school district has decided to pull Harper Lee's To Kill a Mockingbird from its junior-high reading list because it "makes people uncomfortable." The novel, which frequently tops the American Library Association's "Frequently Challenged Book" list, tackles racism. See also: an essay on the symbolism of mockingbirds.
Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald's oft-neglected commercial short fiction. Fitzgerald, after all, "produced 160 short stories [in his life]," writes Curnutt, "earning a total of $241,453 off the genre -- more than $3 million in today's dollars." Yet the author didn't think highly of the work, and even referred to himself as an "old whore" because he wouldn't quit.
God’s terse first line in the Book of Genesis — “Let there be light” — was ready-made for the Twitter generation. If only the rest was as crisp, the British novelist Jeanette Winterson recalled thinking, as she began to reckon with that first book for a new theatrical project on the King James Bible. And then it hit her: Maybe God’s wisdom would crackle for a modern audience as Twitter posts of 140 words or less.