Members of the Word Reference forum contemplate the etymology and meaning of the “A” in the expression, “Fuckin’ A.” Elsewhere Geoffrey Nunberg, linguist and author of Assholism: The First Sixty Years, shares his take on the ubiquitous “a-word,” which he believes originated during World War II.
On That F*ckin’ “A”
Orbital Vacations
Looking for a place to burn those vacation days? How about outer space, or one of the other 44 places tapped by The New York Times?
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Color in Poetry
Recommended reading: "What is Color in Poetry" by Dorothea Lasky for Poetry. It's a lengthy article but a thoughtful one, and, as a bonus, it includes some of Lasky's childhood poetry. Pair with our earlier post about reading teenage poetry to crowds and you've got a theme for the day.
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Heineken Price is Going to Double
“A classic hustler and survivor … a type who never starts revolutions but who always figures out how to benefit from whatever the New Order is.” Some dispatches from a punk tour of the Balkans by Franz Nicolay, who may or may not be an asshole, big time.
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Magical Atmospheres
At The Rumpus, Sean Carman interviews Year in Reading alum Laura van den Berg, whose new novel, The Isle of Youth, came out last week. (ICYMI, Nathan Huffstutter reviewed The Isle of Youth for The Millions).
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Tuesday New Release Day: Sweeney; Simonson; Mahajan; Feldman; Barrett; Strong
Out this week: The Nest by Cynthia D’Aprix Sweeney; The Summer Before the War by Helen Simonson; The Association of Small Bombs by Karan Mahajan; Terrible Virtue by Ellen Feldman; Rush Oh! by Shirley Barrett; and Hold Still by Lynn Steger Strong. For more on these and other new titles, go read our Great 2016 Book Preview.
“Where flash becomes word and silents selfloud.”
Are you still not following Pentametron, even after I urged you to do so last week? (And even after New York Magazine added it to its Approval Matrix?) Well, if that’s the case, I shouldn’t even share Earwickr with you. You don’t deserve to read Finnegans Wake spelled out on your Twitter timeline, 140 characters at a time. (Bonus: Michael Chabon reviews James Joyce’s final work for The New York Review of Books.)
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