When our own Mark O’Connell reviewed Edouard Levé’s Autoportrait, he wrote that the book compels you to keep reading because “the more Levé says, the more facts he sets down, the more you realize he hasn’t said.” But what if at the end, you’re meant to reread the book, too? Over at Words Without Borders, Jan Steyn says “the only way to get a better idea of how [these sentences] fit together is to keep reading, and reading, until the end, and then perhaps to read the book again.”
In order to prolong the conversation around his Atlantic cover story, “The Case for Reparations,” Ta-Nehisi Coates recently took to Twitter to engage in a Q&A session with his readers. You can scroll through the entire exchange over here. Coates was also interviewed by Ezra Klein for Vox this week, and the resulting video is probably the most valuable piece of content that site has produced since its inception.
As a poet, historian, critic, translator and editor of The New Republic, Malcolm Cowley was a genuine literary polymath, which is why it’s not surprising that he wrote eloquent letters. In one, for example, he described Larry McMurtry, who Cowley taught when McMurtry was a Stegner Fellow at Stanford, as a “wild young man from Texas, expert in pornography.” In the Times, Dwight Garner reviews The Long Voyage, a new collection of Cowley’s letters.
How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. “Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank.” Pair with: Larsen’s essay on the power of the infographic.