Lydia Kiesling on Blume’s Banned Book

In April’s Atlantic, Joseph O’Neill tries to separate Philip Roth from his perpetual themes of  family, Newark, and Judaism, and from his many authorial personae. The task proves unmanageable, but the attempt sheds light on the man destined to become Roth’s greatest critic: Roth himself.

“So much of the way books get classified has to do with marketing decisions. I think it’s more useful to think of literary books and sci-fi/fantasy books as existing on a continuum. To oppose them, to suggest that one category excludes the other, always feels bogus to me.” Talking with Karen Russell.

We’ve been following the YA debate quite attentively – I wrote about it just last week – but Sarah Burnes‘s addition to the conversation, a blog post for The Paris Review, is one of the most eloquent I’ve read. In defense of reading YA fiction as a “grown-up” she writes, “The binary between children’s and adult fiction is a false one, based on a limited conception of the self. I have not ceased to be the person I was when I was an adolescent; in fact, to think so seems to me like a kind of dissociation from a crucial aspect of one’s self. And the critic should be concerned with what is good and what is bad, what is art and what is not—not with what’s ‘appropriate.'”

Nick Offerman is a jack of all trades—since leaving Parks and Recreation, he has performed in a stage production of A Confederacy of Dunces, and now he’s about to publish his third book, Good Clean Fun: Misadventures in Sawdust at Offerman Workshop. He sat down for an interview with Etsy this week.

George Saunders stopped by the Dinner Party podcast to dole out advice on topics ranging from constructing poems about wolves “making love,” dealing with a friend who’s been fired, sober-drunk relations, and “man purses.”