Revealed: Lord Byron’s personal copy of Mary Shelley’s Frankenstein. The book will be exhibited at Peter Harrington, Chelsea’s world-renowned rare bookshop, later this month.
Lord Byron’s Frankenstein
Quarterly’s Subscription Service
Cool idea from Quarterly: a subscription service “that enables people to receive physical items in the mail from influential contributors of their choice.” I mean, who wouldn’t want some mail from Maud Newton, Jason Kottke, and Maria Popova (Brain Pickings)?
On The Notebook
"The notebook is where our interior world makes contact with our exterior world; where our instinct for creation is first made material. Our notebooks are our first messy attempts at self-expression, and the ways in which we express ourselves are changing every day." Sarah Gerard explores the life of the notebook in an essay for Hazlitt. Pair with our own Hannah Gersen's look at other methods writers use to keep their ideas straight, from calendars to collages.
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Sarah Baracuda, In Her Own Words
Sarah Palin's memoir, Going Rogue, arrives in bookstores on November 17th; For those who can't wait, may we suggest The Sarah Palin Rogue Coloring and Activity Book?
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Writer as Painter
“The past fascinates me obsessively, I suppose, because it’s such a strange phenomenon. The past was the present at some point, and it was just as boring as the present. What makes it so important? What gives it that luminous, exalted quality where it becomes the past?” John Banville addresses these and many other heady questions in his new novel, The Blue Guitar.
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Blind Date with Dostoevsky
At the Paris Review Daily, Elif Batuman walks us through part one of her 12-hour blind date with Dostoevsky. (via Book Bench)
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