Revealed: Lord Byron’s personal copy of Mary Shelley’s Frankenstein. The book will be exhibited at Peter Harrington, Chelsea’s world-renowned rare bookshop, later this month.
Lord Byron’s Frankenstein
The Gallery of Lost Art
The Gallery of Lost Art is “an online exhibition that tells the stories of artworks that have disappeared,” and my-oh-my is it a doozy of an internet diversion.
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¡Viva Martí, que está vivo!
This past week, the O, Miami Poetry Festival brought poet and Cuban national hero José Martí back to life. Here are the photos and video to prove it.
The Problem with the Poky Little Puppy
“The problem is that young children have terrible taste and enjoy garbage. Another problem, which compounds the first problem, is that they want to hear the same books hundreds of times in a row. So for all the joys that storytime can offer, it frequently entails a kind of dismal self-abnegation that’s too excruciating even to describe as tedium—an actively painful sense of my precious time on earth being torn from my chest and tossed into a furnace.” Gabriel Roth writes about the terrible Poky Little Puppy for Slate, and his complaints pair well with Jacob Lambert‘s Millions series, “Are Picture Books Leading Our Children Astray?” and “Again, I Ask…“
Tuesday New Release Day: Ferris; Khakpour; Fierro; Hemmings; Mosley; Boyden; Melnik; Ma; Johnston
Year in Reading alum Joshua Ferris has a new book on shelves this week, as does Millions contributor Porochista Khakpour. Also out: Cutting Teeth by Julia Fierro; The Possibilities by Kaui Hart Hemmings; Debbie Doesn’t Do It Anymore by Walter Mosley; The Orenda by Joseph Boyden; Snow in May by Kseniya Melnik; The Year She Left Us by Kathryn Ma; and Remember Me Like This by Bret Anthony Johnston. For more on these and other new titles, go read our Great 2014 Book Preview.
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Matt Bell on Creative Competition
Andrew Ervin interviewed Matt Bell for Tin House. Bell’s forthcoming novel In the House Upon the Dirt Between the Lake and Woods will come out this summer. (Excerpt) It’s a book that was at least partially enhanced by Bell’s sense of “competition … of a useful kind” with his friend Robert Kloss. “I was so blown away [by Alligators of Abraham],” Bell admits, “that I can remember having to resist putting down his first novel to go make mine better.”
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“My spirit has come home, that sailed the doubtful seas.”
“If [Langston] Hughes and Cullen were competitors, of sorts, for the prize of principal African American poet of their generation, Cullen may have had an early lead, and during the later 1920s and early 1930s they were often discussed in tandem.” At The Boston Review, Major Jackson takes a look at the career and legacy of Harlem Renaissance poet Countee Cullen.
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