Lord Byron’s Frankenstein

For Ploughshares, Emilia Phillips writes about “the corporeality of the lyric.” As she puts it, For some, the act of writing about the body is not necessarily the inclusion of the body as a poem’s subject but the body as the vehicle for the poem. Think of how repetition recalls movement, dancing. Think of how good a rhyme feels in the mouth.”

George Bernard Shaw had a strange relationship with Nietzsche. Alternately envious and dismissive of the German philosopher, Shaw once said he wanted to be an intellectual in Nietzsche’s mold, though he also felt Nietzsche’s thinking was addled and self-absorbed. In an essay for The New Statesman, Michael Holroyd tries to make sense of Shaw’s views.

After three years of judging, and now "like one of those guys who comes back after graduation and loiters creepily around campus, remembering [his] faded glory days," our site's editor-in-chief C. Max Magee finally made it into the booth for the zombie round in The Morning News' Tournament of Books. Check out the perils of "the ARC onslaught" and which books were missing from the tournament altogether.

At The Hairpin, Alexa C. Kurzius pays a visit to the Punderdome 3000, a monthly “com-pun-tition” that takes place in (where else?) Brooklyn. Among other highlights, the author constructs an alter ego for herself named Pundercat.