Ever want to watch someone write a novel? Nows your chance. Sorta. Silvia Hartmann, UK author of thriller novels, is inviting readers to observe as she types up her next novel in a Google doc.
A couple weeks ago, Brian Ted Jones reviewed The Bone Clocks by David Mitchell, which “takes place on the margins of a grand, cosmic struggle.” Not long afterwards, at The Rumpus, Woody Brown offered a somewhat negative take on the book, arguing that Mitchell makes it too difficult for the reader to suspend her disbelief. You could also read Brown’s Millions review of Haruki Murakami’s new novel.
“Independent bookstores are intellectual centers of a city.” Our own Bill Morris, who’s currently on tour for his latest book, Motor City Burning, writes for The Daily Beast about the importance and continued relevance of bookstores in the age of Amazon.
Emily Witt checks out Melville House’s new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”
“Will excessive drinking unleash your creative energy? Who can say?” Over at The Toast, intrepid cataloger Ren Arcamone has compiled a list of things you could be doing instead of writing your thesis. Go read it instead of writing your thesis. Continue the stay of essay execution and check out Mallory Ortberg’s hilarious (and helpful) guide to some common signs that you might be dying in a Victorian novel.
“It only took me 10 years to get the verb tenses right!” Our own Garth Risk Hallberg reflects on the process of updating his debut novella, A Field Guide to the North American Family, recently reissued in a new edition by Knopf. See also: our interview with him on the occasion of the release of his blockbuster City on Fire.
Read this interview with Mary H.K. Choi where she discusses her novel, Emergency Contact, and how it offers a more modern (2010s) portrayal of Asian American mother-daughter relationships. “Choi’s novel blows up Asian female stereotypes and prods readers to question their own cultural biases about women of color. For instance: Not all Asian moms are like Lane Kim’s in “Gilmore Girls.” Not all of them own antique shops or dry cleaners, care singularly about grades and won’t let their baby tiger cubs date until they’ve finished graduate school.”
Are critically acclaimed authors really terrible? Is feminism bad for women? New York Magazine runs down the greatest hits of what appears, in hindsight, to have been the Decade of Counterintuition (and, in the process, catalogues many of my personal bêtes noires).