Ever want to watch someone write a novel? Nows your chance. Sorta. Silvia Hartmann, UK author of thriller novels, is inviting readers to observe as she types up her next novel in a Google doc.
"The ideas people project onto me are just that: their projections. And to a certain extent I can choose whether or not to accept them. But these projections also put me in peril, which is why I need to cultivate love. What’s more interesting to me is how I overcome the limiting biases that are projected onto me. If I didn’t discover positive paths, my experiences — and books — would be unbearably devastating. I am always more concerned with the path toward hope and change." Camille Dungy, esteemed poet and essayist in Sun Magazine answering the big questions on the environment, race, religion and Trump.
Over at the Literary Hub, Morgan Jerkins writes about the struggle to describe blackness. As she puts it, "My hope is to create imperfect, multitudinous black women who are more in tune with themselves than their audiences." Pair with our own Michael Bourne’s list of books that “shed light on the history and evolution of racism in America.”
"Morality... is a slippery slope and nowhere more, perhaps, than in regard to art, to literature, which begins as the expression of a single heart, a single mind. That it becomes more than that — connective, the fiber of a conversation between writer and reader, and between both of them and the world — is not just the point but the miracle... To frame this miracle in moral terms is to misread what art extends to us: a way of joining, for a moment only, across the void." In an article for the LA Times, David L. Ulin considers the implications of the George V. Hunt, SJ Prize for Excellence in Journalism, Arts and Letters, which will award $25,000 to a writer “of sound moral character and reputation [who] must not have published works that are manifestly atheistically or morally offensive.”
Recommended Reading: Almost a century ago, two students at Oxford wrote back to Ophelia: “Ophelia racked with phantasy, / And Sigismunda, sick with rue — / Ladies, why did ye choose to die / When all the world was made for you?” Find out more about the poets Doreen Wallace and Eleanore Geach at The Toast. We recently wrote about why authors continually turn to Shakespeare.
In the late seventies, when Susan Sontag was recovering from cancer, she hired an assistant to help her catch up on correspondence. Her editor recommended Sigrid Nunez, who began working for Sontag and ended up moving in with her. Nunez now recalls the experience with a mixture of gratitude and pain. In Dissent, a look at the economy of creative assistants.