Three cheers for literary magazines, eh? Do yourself a favor and check out Tin House’s new Portland/Brooklyn issue (with mixtape to match!), DIAGRAM 12.4, Hobart’s revamped website (with daily content!), and the brand new Revolver magazine out in the Twin Cities.
There’s no official protocol for responding to a disappointed fan, but that may change after more writers get wind of this response, written by Threats author Amelia Gray, to a man who complained that her book was “nothing more than conversations among insane people.” Gray admitted that the man’s gripe did, in fact, have merit, after which she urged him to buy a copy of A Time to Kill.
Francine Prose has an idiosyncratic theory that the Hindu god Ganesh is a vital part of her writing process. In a VQR essay, she explains that her portrait of the deity (which she purchased forty years ago at a bazaar in Mumbai) gives her a kind of confidence that goes beyond superstition. As support for this belief, she points out that Ganesh is known in some quarters as “the writer’s god.”
The Walter Scott prize did an analysis of prize submissions since its eight years of existence-with 650 novels submitted-and found that "38% of its submissions were set in the 20th century, while 19% were set in the Victorian era, between 1837 and 1901." They also found many of the submissions focus on World Wars II and II and that the number of women historical fiction writers submitting their work has gone up."The [Walter Scott] Prize celebrates quality, innovation and longevity of writing in the English language, and is open to books first published in the previous year in the UK, Ireland or the Commonwealth," the breakdown is fascinating.
New this week: Gary Shteyngart's much buzzed about Super Sad True Love Story, Rick Moody's The Four Fingers of Death (another literary dystopia), and a new Roberto Bolaño collection, The Return. Bonus for GN'R fans: GN'R drummer Steven Adler's tell-all memoir My Appetite for Destruction: Sex, and Drugs, and Guns N' Roses.
"Their relative obscurity is what makes their fans so passionate — these are voices that never quite found the right audience when they were alive." Longreads has a reading list of forgotten women writers, including Theresa Hak Kyung Cha, Jessie Redmon Fauset, and Anita Brookner, whom we profiled in our own pages last year.