Continuing Tin House’s great “The Art of The Sentence” series, Vishwas Gaitonde dives deep into the opening line from Daphne du Maurier’s Rebecca. (Come on, we all know the one.) Be sure to catch Tin House‘s previous TAoTS series installments as well.
“Last night I dreamt I went to Manderley again.”
#workingonmynovelaboutyournovel
Cory Arcangel‘s Working on My Novel is composed solely of tweets from people who (one is led to assume) are engaged in the singularly tragic enterprise of writing books that, unlike Working on My Novel, will take years to complete, yet won’t be published by Penguin or noticed by The Paris Review. Oh, the meta-irony. And now I’ve just honored it with a Curiosities post.
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Reading is a Kafkaesque Experience
In the latest entry in By Heart, the Atlantic series we’ve written about a few times, Ben Marcus (who recently came out with a new book) reflects on the true meaning of the word “Kafkaesque.” Marcus interprets Kafka’s “A Message from the Emperor” as a parable about the difficulty of real human connection. (Related: there’s now a Kafka video game.)
The Peculiar Art of Rare Books Catalogues
“Our catalogues cost £5,000 to print and distribute (in envelopes! with stamps!) to the 800 people on my mailing list, 790 of whom will not order from it.” Rick Gekoski at Guardian looks at the peculiar art (and commerce) of rare books catalogues.
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Winter Reads: The Little House Books
Laura Ingalls Wilder’s Little House books bring an icy take on America in winter. To Guardian reader Alison Gibbsme, “as a child, they were full of adventure and excitement; as an adult I am shocked at how full of danger they are.”
Essay Time
Haven’t checked out the cartoon Adventure Time? You’re missing out, says Maria Bustillos. The Awl and New Yorker contributor explains why you need to check out this show in an essay-cum-one-off-website. If it helps, The New Yorker’s Emily Nussbaum feels the same way. (h/t The Paris Review)
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