Don’t like the idea of reading e-books to your kids? Turns out you’re not alone — a new study reported in the Christian Science Monitor says (pdf) that seventy percent of parents who own iPads prefer to use print books when reading to their children. If you read these articles, you might have seen this coming.
It’s just not the same, is it?
The 2017 Rooster
There’s a new Tournament of Books winner in town, and it’s also being adapted for the screen by Moonlight director Barry Jenkins, so it truly does rain when it pours.
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Degrees of Separation
Urmila Seshagiri writes for Public Books about Jhumpa Lahiri’s In Other Words in its original Italian. As she explains it, “the dual-language Italian-English format literalizes the very ‘separazione totale’ that is In altre parole’s subject, reminding us, page by page, of potential losses.” Pair with Hannah Gersen’s Millions review of the book.
The Year in Libraries
“[I]n the days following the election, one thing became clear: many librarians are anxious about the future.” From Carla Hayden to copyright reform, Publisher’s Weekly has the top 10 library stories of 2016. Also recommended: a piece by Daniel Penev from our own pages earlier this year, about how libraries matter now more than ever.
Victoria Chang on the Humor and Oddity in Obituaries
Victoria Chang discusses the art of the obituary poem, as seen in her newest collection, Obit, a memorial to the dead and a reflection on grief.
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Boyhood
Over at The Rumpus, Brian Gresko argues that every writer, even cis men, should be openly discussing the complications of gender. As he puts it “Self-censorship is a twisted birthright passed down to boys by their fathers.”
Photographing Reality
Do author photographs change the way we see them (or the way we read their works)? At Lit Hub, stare into the souls of a few iconic writers and read about how author photos impact us. You could also read our review of Street Seen, which maps out how photography and reality became intertwined.
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“I don’t believe the reader needs to know anything about me.”
Ben Lerner has a story [subscription required] in this week’s New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in “activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting.”