If last year’s The Marriage Plot was too brief a taste of semiotics for you, here’s an interesting essay on Jacques Derrida, “the Samson to tear down the temple of structuralism,” and his seminal 1966 American presentation on “Structure, Sign, and Play in the Discourse of Human Sciences.”
The great singer-songwriter Josh Ritter is on tour with Scott Hutchison of Frightened Rabbit. In honor of that, here's puppet master Liam Hurley's video for Josh Ritter's beautiful ballad "The Curse," a song about a mummy falling in love with the archeologist who discovers him.
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
A new study indicates that when it comes to National Endowment for the Arts grants, “there is not a disproportionate benefit to wealthy individuals.” In fact, the grants often benefit both the rich and poor alike.
“After scanning across this listing while doing cursory research for something else, I instantly became obsessed with the idea of the zebra skin in the library. What, exactly, did it look like? How was it stored amongst his papers? Why had he owned it? What was it doing in the special collections of an academic library?” On looking through the archives of William Gaddis.
If you have a blog, you’ve probably fielded suggestions from your relatives about what you should write, who you should write about and what personal issues you should address in your posts. At The Hairpin, Michelle Markowitz shares a conversation with her mother on the subject.