Norman Rockwell was an unhappy and enervated man who became iconic by painting scenes of happy, energetic people. He developed a style that became synonymous with idyllic visions of America. At Page-Turner, Lee Siegel reads Deborah Solmon’s American Mirror, a new biography of Rockwell that acknowledges the painter’s contradictions without “mocking or scolding” him for the gulf between his life and his art.
“I am lately returned from a pilgrimage, bearing bloodied knees and a holy relic; my destination was a place of love and sacrifice that’s lived long in my heart. No Lourdes for me, though: I went to the Reichenbach Falls.” Sarah Perry makes a pilgrimage to the death place of Sherlock Holmes and writes about it for the Guardian.