Can Galileo’s literary preferences teach us about “the unusual and creative features of his physics?” John L. Heilbron thinks so.
Galileo’s Taste; Galileo’s Work; Galileo’s Life
Poems on Poems
“Of course, his word-pictures don’t define the art of poetry—nor are they meant to. In part they exemplify it; in part provide a warning that such an art eludes straightforward setting out in words.” On Horace’s and Archibald MacLeish’s Ars Poetica.
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Viva La Vida
“We break down thirty-nine literary journals and well-respected periodicals, tallying genre, book reviewers, books reviewed, and journalistic bylines to offer an accurate assessment of the publishing world.” This year’s VIDA Count is out.
The Restraints of Language
Recommended Reading: Elisa Gabbert at Guernica on the relationship between ideas and language. “How can the name come after the concept if you need the name to understand the concept? This problem of circularity always made me resistant to the Sapir-Whorf hypothesis in its strong version, which states that our thoughts are bound by the restraints of our language.”
Keeping Tabs
The F.B.I. had a massive file on James Baldwin in the fifties and sixties. Among other things, their notes featured passages of surprisingly adept criticism, including an oddly in-depth look at sexuality in his work. You could also read Justin Campbell on race, fatherhood and Baldwin’s fiction.
Shear Brilliance
Recommended Reading: An essay by novelist Siri Hustvedt on the cultural significance of hair from the forthcoming collection Me, My Hair, and I in The New Republic.
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