All of “the essential documentaries about David Lynch” are available online, and you can check out some great commentary at Cinephilia & Beyond.
Film buffs take note
The Reality of Slang
“What makes a word ‘real’?” Should groan-inducing words like “adorkable” be counted? Anne Curzan, language historian, gives a Ted talk about the human element in dictionaries and the importance of slang.
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Sam Anderson’s Margins
In 2010, Sam Anderson showed us his Year in Marginalia. This year, he’s taken that show on the road. Or, more accurately, I guess he’s taken it back home.
Iowa’s Free Online Poetry Workshop
A new MOOC from the University of Iowa’s International Writing Program is scheduled to begin on June 28. “How Writers Write Poetry” is free and open to the public, and it will feature craft talks from poets such as Robert Hass and Kwame Dawes. A fiction-writing course is also scheduled for September. (Related: Read how several Iowa MFA students describe a typical day in the program.)
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Famous Literary Drunks and Addicts
LIFE Magazine has put together a slideshow collecting portraits of some of history’s most notorious literary dabblers in all varieties of substances from Charles Baudelaire to John Berryman. (via bb)
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Disarmingly Like Love
“I quickly stopped trying to draw in a realistic way and went for an efficient one.” Max de Radiguès is a Belgian cartoonist whose work you should familiarize yourself with.
The Writers Who Helped Jocelyn Nicole Johnson Find Her Place in the World
Jocelyn Nicole Johnson discusses her debut fiction collection, My Monticello, as well as the writers who influenced her to write about communities surviving racial trauma.
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Annie’s Pilgrimage
Annie Leibovitz discusses her new book Pilgrimage, and how the project became a journey of personal and artistic renewal.
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Liberals! Satiricists! Call Out the Big Dogs!
Steve Almond treks deeper into familiar territory in the latest issue of The Baffler, wherein the essayist takes on “our lazy embrace of [Jon] Stewart and [Stephen] Colbert,” an undoubtedly strong “testament to our own impoverished comic standards.” Indeed, Almond notes, our satirists and comics today remain “careful never to question the corrupt precepts of the status quo too vigorously.”
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