All of “the essential documentaries about David Lynch” are available online, and you can check out some great commentary at Cinephilia & Beyond.
Out this week: Trigger Warning by Neil Gaiman; There’s Something I Want You to Do by Charles Baxter; Bon Appétempt by Amelia Morris; The Nightingale by Kristin Hannah; The Kind Worth Killing by Peter Swanson; The Marauders by Tom Cooper; We Are Pirates by Daniel Handler; A History of Loneliness by John Boyne; Holy Cow by The X-Files star David Duchovny; and Get in Trouble by Kelly Link. For more on these and other new titles, check out our Great 2015 Book Preview.
The archives of the British Library have been digitized, and among many other gems is this rejection of George Orwell’s Animal Farm by none other than T.S. Eliot, himself: “And after all, your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm – in fact, there couldn’t have been an Animal Farm at all without them: so that what was needed (someone might argue), was not more communism but more public-spirited pigs.”
As has been much noted elsewhere, the Wall Street Journal landed reclusive Calvin and Hobbes creator Bill Watterson to review a recent bio of Peanuts creator Charles Schulz. New York explains how the review was arranged. Meanwhile, the New Yorker has John Updike reviewing the book.BLDGBLOG articulates why I love LA so much (and why it is quite possibly the greatest city in the country). For some of my own thoughts on LA, harken back into the deepest archives.Since almost the minute I finished An Army at Dawn, the first installment of Rick Atkinson’s three-part look at the liberation of Europe during World War II, I have been pining for the second book. And now I have it. The Day of Battle covers the war in Sicily and Italy and I will be reading it presently. (It was An Army at Dawn that inspired our lists of World War II fiction and nonfiction.)My alma mater is showing Google Books some love.
As previously reported, Haruki Murakami is favored to win the Nobel Prize in Literature seven-to-one. For more on the dubious practice of betting on literary awards, see this interview from last year with an employee of the London-based company responsible for calculating the odds.