University students: I double dog dare you to use this David Foster Wallace end note generator to pad out your next term paper’s citations.
In a longform piece for The Atlantic Diane Saverin writes about Annie Dillard‘s Pilgrim at Tinker Creek, the predominantly male tradition of wilderness-writing, and how Dillard found and wrote about the wild while living in suburbia. She also wrestles with the question: “if the author conveys a resonant truth, does it matter what experiences led to the realizations?”
In every country except France, the copyright for The Little Prince expired at the end of last year, which explains why Turkish publishers chose the first two weeks of January to publish a huge number of new translations of the book. At the LRB blog, Millions contributor Kaya Genc writes about the flood of new editions, remarking on the significance of a passage about a Turkish astronomer.
Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. ““Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer.” Is this a way forward for beleaguered publishers? (via The Lone Gunman)