Amazon created an “Election Heat Map” to tally the number of “red” and “blue” books sold across the nation, and the count is updated hourly. The results are somewhat surprising to those who believe liberals read more than conservatives. (Perhaps liberals frequent more independent bookstores?) At the time of this writing, “red” books are favored by a margin of 7%.
“Familiar, well-behaved stories are dressed in nice book covers and sent to our bookstores; from there they march to our homes in an orderly manner.” On Chinua Achebe, Chimamanda Ngozi Adichie, and how publishing understands the immigrant narrative. Pair with our review of Adichie’s second novel, Half of a Yellow Sun.
After thirty years, Larry Kramer has finished his novel The American People, which he prefers to consider a new form of nonfiction. In the novel, a narrator based largely on Kramer writes a historical expose, also titled The American People, in which numerous American icons are described as having been gay. As Kramer says, he wrote the book in part out of a feeling that gay people are excluded from history books.
I didn’t expect to find a Chinese poem more ornate than Su Hui’s palindromic, pre-oulipan “Xuanji Tu,” but apparently I underestimated myself. Here’s “Lion-Eating Poet in the Stone Den,” a 92-character poem by Yuen Ren Chao which relies on the tonal variations of a single sound (shi) to tell the story of a “lion addict” with a taste for big cats. For a really crazy experience, I recommend listening to the poem being read aloud.
Over at VICE, Karan Mahajan, Tanwi Nandini Islam, and Jenny Zhang talked about the new generation of Asian American writers. “There isn’t really a canon, which means if you are Asian American and writing, you’re automatically adding to it. Once I realized this, I became extremely protective of my writing,” said Zhang. Pair with this Millions interview with Mahajan.