Step 1: Read a sentence that says, “Eclipse is a free on-line archive focusing on digital facsimiles of the most radical small-press writing from the last quarter century.” Step 2: Click through and explore the site. Step 3: Look up and realize six hours have passed.
This week, Football Book Club will be reading Allie Brosh’s Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened — as well as chatting about Steven Millhauser’s Edwin Mullhouse, bemoaning our empty NFL-free lives, and weeping about the shittiness of our respective teams.
How has a spirit legally defined as being “without distinctive character, aroma, taste, or color” flourished in today’s economic climate? Victorino Matus‘ Weekly Standard article explores the history and ubiquity of vodka. Perhaps this article is best paired with something from NPR‘s list of “Great American Writers and Their Cocktails.”
Those of you who stopped watching The Simpsons thirteen years ago (and heard that the voice actress who plays Edna Krabappel sadly passed away in October) should know that Ms. Krabappel is now married to Ned Flanders. In a run-down over at Splitsider, Bradford Evans catalogues weird plot developments in the last decade-plus of the series. (h/t Slate)
“To read something before it is accessible to all is both a privilege and an unfair advantage.” Je Banach’s notes on keeping the secrets of the books she writes about (e.g., Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage) are thoughtful, poignant, and tantalizingly spoiler-free.
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
We didn’t catch it in time for our big preview, but Kazuo Ishiguro’s forthcoming novel The Buried Giant, now has an official U.S. release date of March 2015. The novel is the author’s first in 10 years, and his British publisher says it will be about “lost memories, love, revenge and war.”