Step 1: Read a sentence that says, “Eclipse is a free on-line archive focusing on digital facsimiles of the most radical small-press writing from the last quarter century.” Step 2: Click through and explore the site. Step 3: Look up and realize six hours have passed.
The new year is, of course, a time for resolutions, and Electric Literature has collected literary resolutions from Alexander Chee, Year in Reading alum Emily Gould, Yelena Akhtiorskaya, and many more. Coming out of the hectic holiday season, Jonathan Lee‘s resolution seems particularly apt: “My literary new year’s resolution is to read slower. I want to try and re-discover the kind of reading where you savor every page instead of thinking about unread emails, progress through the book, progress through the to-be-read pile, and the quantity of remaining tea bags in cupboard.”
The 500 Hats of Bartholomew Cubbins was more than just a Dr. Seuss book but a reality for the writer. Seuss was as fond of hats as he was rhyming and now part of his chapeau collection will be touring the U.S. 26 of his hats will stop in Atlanta, New Orleans, South Lake Tahoe, Tampa, Midlothian, and Northampton. For more Seuss, read our essay on censorship of The Lorax.
Before Dr. Seuss penned the Lorax who spoke for the trees, he drew ads for Standard Oil, General Electric, and a host of other large corporations who spoke for a considerably different constituency. This great collection of advertising artwork from Theodore Seuss Geisel courtesy of the Mandeville Special Collections Library at the University of California, San Diego.
Edith Pearlman has been writing stories for a long time, but it’s only recently that she’s received widespread attention for them, as evidenced by this New Yorker piece on the author by James Wood. In it, Wood writes about the ways in which Pearlman is “a fabulist in realist’s clothing,” among other things. Pair with: Josh Cook on Pearlman’s book Honeydew.