Back to the Future II originally featured a very different Doc Brown from the one that made the final cut. Behold Doc’s 1967 alias, his hippie parents, and his apparent affinity for motorcycles in this 147-page script (PDF) that was later re-purposed into the movie we know today. (The Bizarro Doc action picks up around page 90.)
The Columbia Spectator is about to embark on “a list of 50 books that we think capture the essence of each state.”Daniel Menaker, former head of Random House, is set to host a new internet literary talk show called “Titlepage.” It will be modeled after “‘Apostrophes,’ a popular French literary program; ‘The Charlie Rose Show’ on public television; and ‘Dinner for Five,’ in which a group of actors discussed their craft, on the Independent Film Channel.” Guests on the first show include Richard Price and literary it-boy Charles Bock.Quite a resource: The Stanford Encyclopedia of Philosophy. Among the many entries: Death, God and Other Necessary Beings, Nothingness.We Feel Fine: Art from the hive mind.Landscape Urbanism Bullshit GeneratorFree Rice: procrastination fun for those with big vocabularies.The Corporation of London Libraries and Guildhall Art Gallery image database – huge, searchable collection of historical images of London, from which one can order prints.The Port Huron Statement, a part of the UVA Sixties ProjectTen Recurring Economic Fallacies – Put to rest “The Broken Window,” “The Beneficence of War,” and more.
We’ve published a fair number of pieces about the import of book covers. You may have read one of our US-UK book cover battles. Over at The Awl, Amanda Pickering takes a look at one of the stranger aspects of book design: the animals that appear on the covers of programming books.
Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)