What’s your favorite form of punctuation? R. L. Stine is partial to the em-dash.
Do Emoji Really Count?
Mark Twain’s Autobiography
Mark Twain left instructions not to publish his autobiography until 100 years after his death, which is now. Volume I will hit shelves in November.
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“There’s potential on Twitter for wild formal invention.”
If you’ve finished reading David Mitchell’s latest short story – which was published on Twitter last week and then ran on our site five days ago – you’ll appreciate Ian Crouch’s look at its greater meaning, and what it could mean for Twitter as a whole.
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Miéville on “Hauntology”
In a fabulously strange, illuminating, and spooky essay, China Miéville establishes the literary definition of “hauntology.”
The 3 Quarks Daily annual Arts and Literature Prize!
The 3 Quarks Daily annual prize for Arts and Literature blog writing has been announced! Nominations are open in the comments of the announcement. This year’s judge is author, professor, blogger, intellect Laila Lalami. Dear readers, feel free to nominate any Millions writing you enjoyed here. And to the guest contributors out there, be sure to nominate your Millions contributions!
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“I think the role of the critic will remain strong even if the media landscape is constantly changing.”
Alex Ross, New Yorker music columnist and author of Listen To This, is interviewed for The Browser.
Flatmancrooked Reading in Brooklyn
Attention New York-based readers: This Friday evening at 7:00, The Millions staff writer Edan Lepucki will read from her novella If You’re Not Yet Like Me at Book Court bookstore in Brooklyn. Joining her will be fellow Flatmancrooked author Shya Scanlon, who will read from his novel, Forecast. Don’t miss it!
Give Not a Fig
“Maybe Gnossos, had [Richard] Fariña lived long enough for a sequel, would have wound up on a commune in Canada, nibbling feta and blissed out on retsina, exhaling paregoric joints in some lush and fragrant garden … But he died in his twenties, like a lot of energetic young men of his era. It was the kind of romantic death we feel we understand almost too well, a promising talent suspended, that sense of exemption he wrote about—from mediocrity, from bourgeois compromise and midlife disappointment—a membrane forever intact.” On the enduring joys and exuberant voice of Richard Fariña’s Been Down So Long It Looks Like Up To Me.