Sean Manning of the Talking Covers blog spoke with a bunch of authors, editors and artists to take a long, close look at the work of Lorraine Louie, the designer “who came up with the uniform, De Stijl layout” of the inimitable Vintage Contemporaries. And while on the topic of book covers, check out Tammy Fortin’s “New Covers for Old Classics” series she put together for the San Francisco Museum of Modern Art.
Out this week: The Story of the Lost Child by Elena Ferrante; Did You Ever Have a Family by Bill Clegg; Marvel and a Wonder by Joe Meno; The Hundred Year Flood by Matthew Salesses (who recently wrote for us); Dryland by Sara Jaffe; and Purity by Jonathan Franzen (which we reviewed). For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.
“My goal isn’t soft multiculturalism, but rather to convey a richer and fuller sense of what literature is, what the possibilities are, and to share the voices that often get excluded or silenced when we speak of ‘literature’ and ‘writing.’” Guernica interviews Counternarratives author John Keene.
The New York Times recently asked Jennifer Szalai and Mohsin Hamid why there isn't a Great American Novel written by a woman? Both writers concluded that there is no such thing as the Great American Novel. "But if the idea of the Great American Novel is blinding us to exquisite fiction written by women, then perhaps its harm is exceeding its usefulness," Hamid wrote. We think that's a bit of a cop out. But a few women showed up on our list of the Greatest American Novels.