Sean Manning of the Talking Covers blog spoke with a bunch of authors, editors and artists to take a long, close look at the work of Lorraine Louie, the designer “who came up with the uniform, De Stijl layout” of the inimitable Vintage Contemporaries. And while on the topic of book covers, check out Tammy Fortin’s “New Covers for Old Classics” series she put together for the San Francisco Museum of Modern Art.
Covers That Were; Covers That Could’ve Been
Internet’s End
Recommended Reading: Sam Frank’s interview with Infomaniacs author Matthew Thurber.
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“I was born as a woman, I talk you to death”
Recommended Reading: “The Hypno-Domme Speaks, and Speaks and Speaks” by Patricia Lockwood, which has been in my head for two days now.
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Across the Screen
“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.
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What They Teach
For those who are out of the collegiate loop and are curious what’s being assigned in classrooms these days, The Literary Hub has compiled a fascinating list of books being taught by English professors at institutions across the country. Pair with these two related pieces from The Millions on the business of teaching creative writing and fifty-five thoughts on teaching English in public school.
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The Pen Reveals
What does handwriting tell us about its author? The Atlantic investigates. Our own Kevin Hartnett explains why he writes by hand.