Do you have 153 hours to kill? Do you love long French masterworks? If so, the folks at Naxos AudioBooks might have something up your alley. At 120-discs, publisher Nicolas Soames believes his company’s unabridged audiobook for Marcel Proust’s Remembrance of Things Past might just be the longest audiobook in existence. (Note: that means you’d still have 23 hours of the audiobook left after making this drive around the country.)
How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. “Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank.” Pair with: Larsen’s essay on the power of the infographic.
Over at The Washington Post, Jeff Guo makes a case against periods. As he puts it, “When we get excited, the pauses between our sentences shrink. We speak in run-ons. […] A period feels too weighty.” Also check out this Millions piece on the benefits of excising quotation marks.
“Then, about an hour into the newest version, it struck me: it’s Twilight!…That’s how I would have pitched the film, and the fact that I was thinking of it while watching Heathcliff and Catherine break each other’s hearts was an indication of Arnold’s failure to capture a fraction of Brontë’s genius.” The impossibility of filming Wuthering Heights.
Got a crush on Draco Malfoy? J.K. Rowling is concerned. In a piece on her website, she writes: “I have often had cause to remark on how unnerved I have been by the number of girls who fell for this particular fictional character.” Pair with: our own Elizabeth Minkel on Rowling and other authors with second thoughts.
What’s the deal with all of the novels about famous writers? Perhaps it has to do with the fact that, according to Heller McAlpin at The Literary Hub, “there’s a special frisson of pleasure in reading about writers’ early struggles when you know what the future holds for them—which in the case of most of these authors is posthumous literary acclaim beyond their wildest dreams.”