20th Century American Authors Exhibit

“Writing difference is a challenge, particularly in fiction. How do men write women and vice versa? How do writers of one race or ethnicity write about people of another race or ethnicity? More important, how do writers tackle difference without reducing their characters to caricatures or stereotypes?” Roxane Gay reviews Joyce Carol Oates‘s The Sacrifice and simultaneously explains how to write difference well. Hint: it “demands empathy, an ability to respect the humanity of those you mean to represent.”

Can you tell the difference between complaints by Jonathan Franzen and YouTube comments about the evils of saggy pants?

Japanese booksellers are not content to handsell books these days. No, no. Instead, they’re drawing on architectural know-how and creative spirit in order to master “the avant-garde art of book stacking.” (Hopefully none of them experience the Mariko Aoki phenomenon.)

“I was absolutely horrified. Wouldn’t have known if not for a Russian reader who read both editions. Publisher in total breach of contract.” The Guardian reports that author VE Schwab was “devastated” to learn scenes from her fantasy series Shades of Magic have been excised from Russian translations for featuring queer characters. See also: a consideration of the commercial viability of LGBTQ lit.

“If you didn’t feel you were discovering something as you wrote your memoir, don’t publish it. Instead hit the delete key, and then go congratulate yourself for having lived a perfectly good, undistinguished life. There’s no shame in that.” Neil Genzlinger at the New York Times lays some ground rules for those compelled to write memoirs.