The team running The Electric Typewriter’s Tumblr have assembled a list of “150 Essential Science & Tech Reads.” Got any suggestions for what they might’ve missed? Add them in the comments.
In his latest Year in Reading, Chigozie Obioma told us about Eka Kurniawan’s Beauty Is a Wound, “the howling masterpiece of 2015...a howl, an outrage, and a sheer burst of particular talent.” In an illuminating interview for Electric Literature, Kurniawan discusses the label “magic realism,” epic creation, and his ideas for his next novel.
If you're wondering why you should read this new essay on Jack London, consider this sentence: "Born in 1876, the year of Little Bighorn and Custer’s Last Stand, the prolific writer would die in the year John T. Thompson invented the submachine gun." In Smithsonian Magazine, Kenneth Brandt explores the brief life of the author.
"Each one of those books is, like, several hundred pages long. So, that’s a lot of romantic anxiety and adolescent/young-adult/middle-aged angst to distill into pictures, but as far as I can tell, it’s all there: salted fish, shower-sex, alcohol-induced existential despair, the whole shebang! No reading required." The Melville House blog, MobyLives, revisits the work of an anonymous artist who reenacted all of Karl Ove Knausgaard's My Struggle series using LEGOs. See also: our review of Knausgaard's epic.
Michael Kimball wants to save you $50,000 dollars on an MFA - by sharing what's he taught himself. Interested in reading more from someone without a traditional writing degree? Our own Hannah Gersen explains "The Value of Writing Programs: On Why I Don't Have an MFA."
A detailed analysis of F. Scott Fitzgerald's tax records, obtained from his estate, at The American Scholar. William J. Quirk scrutinizes Scott’s financial ledgers from 1919 to 1940, including short story royalties, expenses relating to wife Zelda, and his years spent in Hollywood. Indeed, you are what you spend.
Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante's Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.