Elisa Gabbert organized a roundtable discussion with several female critics to explore the twinned questions a) why are more men being published than women? and b) is it because there’s “also a lack of women writing about poetry?”
“But as anyone with the least knowledge of literature and writing—maybe art in general—will know, concealing what is shameful to you will never lead to anything of value,” Karl Ove Knausgaard said in an interview with Jesse Barron for The Paris Review. They discuss memory, personal crisis, artistic shame, and how he would burn My Struggle if there were less copies. Make sure to check out our review.
The New York Times is reporting that Maurice Sendak has died at 83. In part because I shared a name with its main character, Where the Wild Things Are was a beloved book of mine. Sendak’s last book Bumble-Ardy, full of chaotic drawings of mischievous pigs, is a favorite of 19-month-old son’s. May Sendak’s bountiful imagination and heart live on for many generations in his books.
In celebration of Jewish Book Month, Ruchama King Feuerman—featured at Bloom in January—will go on tour to read & discuss her novel In the Courtyard of the Kabbalist. The tour kicks off today at the Evelyn Rubenstein Jewish Book & Arts Fair in Houston; check NYRB’s event page for more upcoming appearances.
Recommended reading (and doodling): an excerpt from an upcoming translation of Martin Solares‘s How to Draw a Novel, complete with diagrams and squiggling lines. Pair with our own Hannah Gersen‘s look at authors’s methods for drawing and mapping their own novels-in-progress.
“Perhaps no part of the First Novel Experience is as confusing and overwhelming as figuring out how to balance the demands of social media with the demands of writing more fiction.” Martha Woodroof talks with Lydia Netzer about social media in the world of publishing and book promotion. Their advice? “Try to be funny as much as you can. Try to participate in conversations, not just start your own. Try to engage, not just talk.”