Will Self, whose novel Umbrella was recently tapped for the Booker Prize Longlist, talks about his literary influences with The Browser. For what it’s worth, here’s Self’s take on writing with the specific goal of a literary prize in mind: “I don’t know any writers who are trying to be clever and get a literary prize. Who the fuck would bother with such a thing?”
Will Self Talks Influence and Prizes
Talking Covers Talks Covers
Fans of our U.S. and U.K. book cover comparison should head on over to Imprint Magazine for an interview with Talking Covers founder Sean Manning.
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Speaking with Spiegelman
Art Spiegelman spoke with NPR’s Weekend Edition about his issues with depth perception, his work habits, his changing art interests, and how Maus came about. Bonus: Charles-Adam Foster-Simard checked out the Vancouver Art Gallery’s Spiegelman exhibit last summer.
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Clickbait Lit
Red Herring
Languagehat points to the curious origins of the idiom "red herring."
Afghanistan Video
Lukas and Salome Augustin's breathtaking video of Afghanistan is worth a full-screen viewing. (via)
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Appearing Elsewhere
Los Angeles-based Millions readers might be interested in Sunday night's edition of Tongue and Groove at the Hotel Cafe in Hollywood. I'll be reading, along with writers Cecil Castellucci, Michael O'Keefe, Frank Montesonti, and Giuliana Mayo. Show starts at 6 pm.
Paul Murray on Epic Fail
"'There's no success like failure,' Bob Dylan once sang – but he couldn't have envisaged the international notoriety that bad art would achieve in the digital age. Mark O'Connell's Epic Fail gleefully hops genres and centuries in a quest to understand our obsession with lameness. Clever, profound, bitingly funny, it's a brilliant analysis from one of the smartest new critics around." — Paul Murray, author of Skippy Dies
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