“The Common Core State Standards in English, which have been adopted in 46 states and the District, call for public schools to ramp up nonfiction so that by 12th grade students will be reading mostly ‘informational text’ instead of fictional literature,” writes Lyndsey Layton. Is this the end of The Catcher in the Rye?
“I haven’t met Drake, but I have of course met people who have met Drake. But you have to realize how o-l-d I am. I’m not likely to go to the same parties. Or many parties at all, to be frank.” Junot Diaz interviews Margaret Atwood for The Boston Review. We obviously recommend you read our respective interviews with them both, too.
With past contributions by Joyce Carol Oates, Yusef Komunyakaa and Dana Goodyear, The Rattling Wall (which gets funding from PEN Center USA) appears to have no problem attracting prominent writers. For a limited time, get a three-year subscription at a discount of close to fifty percent.
The much discussed Fifty Shades of Grey arrives as a paperback today, though one wonders if readers will be as willing to read it if they must shed the privacy of the e-reader. Also out is the gorgeous retrospective, The Art of Daniel Clowes. The Forgotten Waltz by Anne Enright and MAN Asian Literary Prize winner Please Look After Mom by Kyung-Sook Shin are new in paperback.
Lorrie Moore once said in an interview that what’s good for writing is bad for life. In this vein, we might assume that coffee, which is bad for your health but good for your writing, neatly supports her conjecture. But what if it turns out that coffee is a detriment to creativity? Maria Konnikova investigates research that suggests this might be the case.
“I’m trying to think of something really suitable to say. What do you think I should say? Look, you tell me what to say and I’ll say it.” That was Doris Lessing, who found out she’d won the Nobel Prize from a group of journalists who surrounded her when she was exiting a taxi. NPR has that great audio, plus other reactions of former Nobel literature laureates, including Toni Morrison, William Faulkner, and Mario Vargas Llosa.
Our own fearless editor-in-chief, Lydia Kiesling, admires Lessing, but felt rather differently about reading one of her most famous works, The Golden Notebook: “Among other things, she did an uncanny job of creating a malaise that was actually infectious. It oozed right off the page and into my own spirit.”