Everything Ravaged, Everything Burned author Wells Tower hit the campaign trail with presumptive Republican nominee Mitt Romney, and his lengthy piece entitled “Desperately Seeking Mitt” is sure to ruffle some red-colored feathers.
At The Rumpus, Shawn Andrew Mitchell reviews Dark Lies the Island, the new short story collection by the Irish writer Kevin Barry. Mitchell quotes a number of the book’s more interesting idioms and perceives “an impolitic decadence to how Barry couples his words.” (Related: we interviewed Barry a few weeks ago.)
Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead's Zone One with this controversial line: "A literary novelist writing a genre novel is like an intellectual dating a porn star". Understandably, this led to some uproar. Now he's doubling down on his stance.
Arisa Wright hits the nail on the head in this piece for LitHub, titled simply "In Praise of Our Black Women Poets": "Clifton’s remark disabused me of the idea that there is something I must erase to make my poetry universal. She freed my mind and body; she freed my verse."
"All I know was that in Paris I felt haunted, like a double exposure photograph that shows a figure and then a milky specter behind. I felt stalked by a creature of my own making, a monster that was both my mother and myself." Darcey Steinke writes about Paris, loss, and monsters in an essay for Granta.