Roxane Gay rounded up a massive, crowdsourced list of writers of color. While the list is by no means exhaustive, it might be a necessary measure in proving “the world of letters is far more diverse than the publishing climate would lead us to believe.”
Actor and humorist Nick Offerman at "By The Book" on choosing George Saunders to write his hypothetical life story: "I think [Saunders] would embarrass me by telling the justifiable truth, but with such élan that I would have to shrug and say, 'It was worth it.' If anybody could pull it off, I believe Mr. Saunders would have the tools and talent necessary to render the woodshop traumas of sandpaper and spokeshave, the roller coaster dynamics of a character actor’s life in showbiz, and my relentless penchant for filling a room with noxious gases into a palatable narrative. George — if you’re reading this and you’re up for it — before you dive in, I would just like to say that I think you’re very handsome."
"Part of what I realize now I was doing in Proxies was to integrate the incongruous aspects of my self: the child of the truck driver and Primitive Baptist self, the queer intellectual poet self, the professor without an office self, the prizewinner who was 'midcareer' before he was 'emerging,' the middle-aged man at the entry-level rungs of the gig economy." Go check out this interview with Brian Blanchfield over at The Rumpus. This is the second Blanchfield interview we've told you about, both worth taking a look.
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn't know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
Two weeks ago, Tod Goldberg came out with a new novel, Gangsterland, that centers on a hit man in the Chicago Mafia. At The Nervous Breakdown, you can read an excerpt of the novel, as well as one of their trademark self-interviews, in which Goldberg explains that for the past three years, he’s been “writing and writing and writing. But sometimes, that just means I’m not writing at all.” You could also read the author’s dispatch from AWP.
Peter Mendelsund writes for the Paris Review about how we see, or think we see, fictional characters. "Characters are ciphers. ... We are ever reviewing and reconsidering our mental portraits of characters in novels: amending them, backtracking to check on them, updating them when new information arises."