Roxane Gay rounded up a massive, crowdsourced list of writers of color. While the list is by no means exhaustive, it might be a necessary measure in proving “the world of letters is far more diverse than the publishing climate would lead us to believe.”
Literary Hub has an excerpt of an essay by Chris Jackson, Editor in Chief of Random House's One World imprint on how we can actually achieve diversity in the publishing industry. "What’s the payoff of having a more diverse workforce? Well, there’s obviously the moral case to be made—and that’s a case that I think applies to any industry. But in book publishing, I think we have a special obligation, given our central role in shaping the culture." And he shares the origin story of how he started to work with Ta-Nehisi Coates.
You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.
“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.
In 1908, Leo Tolstoy sent "A Letter to a Hindu" to Tarak Nath Das, a leader of the Indian freedom movement. In it, Tolstoy made the case for nonviolent resistance as the only way for India to gain independence from Britain. You can read the letter, along with Mohandas Gandhi’s introduction, over here.