It’s the last day to vote on panels at SXSW interactive 2013. So if you wanna hear how our editor in chief, C. Max Magee, and our friends Andrew Womack, from The Morning News, and Kevin Nguyen, from The Bygone Bureau, have changed the game with independent long form digital publishing, you better cast your vote today.
tl;dr
“The C closest to the center”
In the LA Times, Jim Ruland reviews Middle C, the new book by Year in Reading alumnus William H. Gass. For another take on the novel, go read “best-read man in America” Michael Dirda in the Washington Post, or else check out Greg Gerke on the author’s Life Sentences.
The End of Giovanni’s Room
America’s oldest LGBT bookstore, Giovanni’s Room, is closing on May 17. The Philadelphia staple is shutting its doors after four decades due to the owner’s retirement and financial problems. At Salon, Steve Berman remembers the store and discusses how its closure will affect the publishing and LGBT community. “So LGBT books are forced to the edges, to the shadows, despite claims of assimilation. Gay authors have to do more and more marketing to find readers. Gay publishers have to struggle with shrinking venues to showcase their titles.”
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Tuesday New Release Day
New this week stateside is buzzed-about Booker shortlister Room by Emma Donoghue. Also out: Gold Boy, Emerald Girl, a new collection by “20 Under 40” lister Yiyun Li; Sigrid Nunez’s post-apocalyptic Salvation City; and a McSweeney’s-published memoir Half a Life by Chang and Eng author Darin Strauss.
Duke to Publish Transgender Studies Journal
Duke University Press is set to begin publishing a transgender studies journal in 2014. TSQ: Transgender Studies Quarterly will be “the first nonmedical journal dedicated to transgender studies.”
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Shirley Jackson: Great American Novelist?
Laura Miller at Salon explains why she would choose the novels and stories of Shirley Jackson to be stuck with in an isolated cabin over those of Roth, Cheever or Carver.
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The Great Tranquility
“Yehuda Amichai’s genius lies in how—to borrow from his own language—he makes metaphor ‘useful.’ He thinks metaphorically, and in so doing he makes stories of them, treating his likenesses as if they were not metaphorical but animated literalisms. That’s why, I suspect, his metaphors have not merely poetic power but practical vitality, in the way that a horse is not only alive but usefully alive.” Every time James Wood publishes a big profile in The New Yorker, it’s worth a read; this week’s essay on the “secular psalmist” and poet Yehuda Amichai is no different.
Money and Making Out Both
Even more Rossetti! Here is a hilarious reimagining of Rossetti’s “Jenny” by Mallory Ortberg over at The Toast. If it’s a belly laugh you’re looking for, then stick with Ortberg: try Dirtbag Jason and the Argonauts.
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