Andrew Marantz reviews R. Kelly’s “breezy” and “revealing” memoir, Soulacoaster: The Diary of Me, for The New Yorker’s book blog, Page-Turner. This might be what they meant when they said they were “rebooting” the Book Bench. (Related: hear Gary Oldman read some passages from the book.)
E.V. de Cleyre writes for Ploughshares about sentimentality. As she puts it, “It is not enough to have a feeling and express it—we must exercise discernment, ask what these feelings we’re feeling are, dissect them, and find the language that matches how they look, feel, smell, and taste.” Pair with this Millions essay on literary sentiment.
“For a man who is making his living as a critic to write about Scott Fitzgerald without mentioning The Great Gatsby just means that he doesn't know his business. Many people consider The Great Gatsby one of the few classic American novels. I do myself. Obviously such a judgment is debatable.” The New Republic digs up a tribute by John Dos Passos.
Missed the LA Times Festival of Books this weekend? The paper has some great short pieces on the panels that took place, including this one on an event called "Whimsical Visions, " in which rising star Etgar Keret imagined Wikipedia as written by future squids.
"Creating a unique package for a book is really about making potential readers see the book as a singular thing in a sea of sameness. Something that has a soul." Jason Booher talks with Slate Book Review about the process of designing book covers in general and the cover of Forensic Songs, dubbed "the most awesome book cover of the summer," in particular.