The Morning News continues its Reading Roulette series with Nikolai Klimontovich’s “How to Crow Your Head Off,” which “recalls 1957, when another anticipated influx of foreigners into the heart of the Soviet Union prompted ‘municipal cleansing’ measures of the human sort.”
The Morning News Hosts Klimontovich
Setting the Bar Quite High
Believing that high quality TV dramas have supplanted silver screen blockbusters, and now rival novels as “the best way of widely communicating ideas and stories,” Salman Rushdie is set to pen a science fiction series for Showtime. The show will be called “The Next People.” Yet while he’s cited “The Wire” as a source of inspiration, the novelist also backhandedly referred to it as “just a police series.” (A stance he defended on Twitter.) Controversial? Perhaps. But still nothing compared to him calling “Game of Thrones” “very addictive garbage.” Later on, when asked by Vulture to list some of his favorite TV shows, Rushdie curiously counted “Entourage” among them.
●
●
Fifty Shades of Late Capitalism
“Fifty Shades of Grey follows this long history of class ascendancy via feminine wiles, but does so cleverly disguised as an edgy modern bodice-ripper,” writes Heather Havrilesky in the latest issue of The Baffler. Throughout the piece, Havrilesky explores the way luxury brand fetishism and conspicuous consumption fueled E.L. James’s “female-friendly” pornography phenomenon
Sense of an Ending
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
●
●
Fears of a Nation
Recommended Reading: this loving tribute to James Baldwin in the NYRB.
●
●
Lev Grossman on Aspiring Writers
Lev Grossman offers some words of encouragement for aspiring writers: “because it turns out that talent, whatever that is, and that glowy aura, are only part of the picture.”
●
●
New from George Saunders
●
●
Take Shelter
“I found it hard to escape the sensation that I’d be teaching inside a giant metaphor.” Rachel Kadish once taught a creative writing class in a bomb shelter, but rather than stifling her students’ work, it allowed her to see how writing can act as a shelter, too.