In his review of a collection of rejected New Yorker covers titled Blown Covers: New Yorker Covers You Were Never Meant To See, Jeet Heer details the magazine’s history of straddling the divide between bourgeoisie complacency and bohemian angst.
New this week: The Most of Nora Ephron; At Night We Walk in Circles by New Yorker 20 Under 40er Daniel Alarcón; S., a novel written by Doug Dorst in collaboration with J.J. Abrams (which naturally has a trailer); and The Gorgeous Nothings, a full-color facsimile of poems that Emily Dickinson drafted on the backs of envelopes. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
“That’s why I’m organizing this fundraiser for Planned Parenthood, because for me the right to say what happens to my body is the right to make art.” Year-in-Reading alum Claire Vaye Watkins has launched “Dabbler’s Ball,” an art auction featuring work by some other boldtype names you might know (Ramona Ausubel, Lauren Groff, Tom McGuane, Emma Straub). Bidding runs until September 5th and 100% of the proceeds will go toward the venerable PP. See also: our reviews of Vaye Watkins’s novel Gold Fame Citrus and Battleborn, her first story collection.
The Daily Bruin is a running a stunning multimedia series about “the lesbian, gay, bisexual and transgender community in Malawi, a country that outlaws homosexuality and in which UCLA has a strong research presence.” Two recent UCLA graduates – Sonali Kohli and Blaine Ohigashi – spent 24 days interviewing LGBT Malawians, activists and researchers “about the healthcare and human rights challenges the community faces.” As with the 40 Towns project I’ve mentioned previously, the result of Kohli and Ohigashi’s reportage is a testament to the quality of student journalism.