In his review of a collection of rejected New Yorker covers titled Blown Covers: New Yorker Covers You Were Never Meant To See, Jeet Heer details the magazine’s history of straddling the divide between bourgeoisie complacency and bohemian angst.
The Limits of Good Taste
Six Books in Twenty Years
"Whatever the facts of her life – whether she turned out to be an ancient man living in the Icelandic interior or a woman waiting tables at a Texan diner – Ferrante writes in an autobiographical mode. That is fuel for the truthers, a sort of literary ankle-flashing. But it is also good cover for another motive: a very contemporary form of envy of another’s autonomous space and their creativity, a rage that while they give us their work, they will not also give us their person." On a new collection of Elena Ferrante's letters, interviews and short pieces.
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Short Story Shop Talk
Robert Birnbaum and Tobias Wolff talk short stories and other topics at The Morning News. Wolff: "Somebody once described the novel as a prose narrative of a certain length that has something wrong with it. I can think of a few novels that seem to have nothing wrong with them at all, but I can think of a lot more short stories that seem to me to be perfect."
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An Anonymous Evangelical Poetry Fan
In what might be the first sighting of its kind, an anonymous evangelical poetry fan has made an appearance in the comments of Elizabeth Lucy Conway's recent essay on teaching poetry.
Sleeping in the Stacks
It's not surprising when a graduate student claims to "live in the library," but an NYU student really does live in the university's Elmer Holmes Bobst Library. For only $225 a semester, the student rents library cubbies instead of an apartment. The idea isn't as crazy as it sounds, though, but is a response to the skyrocketing rent in the neighborhood.
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Wallace Shawn Interviewed
Wallace Shawn, one of The Millions' favorite humans, interviewed at Splice Today.
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Who Doesn’t Love The Giver?
Did you really dig Dan Kois’s profile of Lois Lowry and her classic novel, The Giver? Well, don’t miss her interview with Goodreads in that case.
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Hard to Categorize
The Naipaul Question, as Morgan Meis calls it, is simple: is V.S. Naipaul too offensive to be taken seriously? His recent biography includes scenes of abuse and moments of straightforward racism. But Meis thinks the issue is more complicated than whether Naipaul is a monster -- the author is, in his phrasing, too “protean” to be pinned down.
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