It’s not easy being a seagull. Over at the London Review of Books, Mary Wellesley takes a sympathetic look at how the much-maligned bird has been treated throughout the history of literature. Afterwards, let this essay from The Millions by Kristen Scharold on the joys of birdwatching lift your spirits a bit.
You can get acquainted with Charles Wright, the nation’s newest Poet Laureate, by checking out interviews he did with StorySouth and The Paris Review, and also by reading his work – much of which can be found online. Might I suggest this poem, which was published by the VQR?
In book-to-film news, Lupita Nyong’o has signed on to produce and star in an adaptation of Chimamanda Ngozi Adichie‘s novel Americanah, and we couldn’t be more excited. For more from Adichie, be sure to check out her “Year in Reading” piece for The Millions.
David Fincher had Gillian Flynn rewrite the ending of Gone Girl for his film. Flynn herself relished the changes. “There was something thrilling about taking this piece of work that I’d spent about two years painstakingly putting together with all its 8 million Lego pieces and take a hammer to it and bash it apart and reassemble it into a movie,” she said. What would Amy think?