Francis Ford Coppola's movie adaptation of Jack Kerouac's On The Road may finally see the light of day. The film, directed by Walter Salles and starring the likes of Viggo Mortensen, Amy Adams, and Steve Buscemi, could hit French theaters as early as March 23rd.
Adam Gopnik at the New Yorker comments on why we still write to win prizes (and hails Mario Vargas Llosa for having “a lively personal life that includes once punching out another future laureate...Gabriel García Márquez, reportedly over something to do with Mrs. Vargas Llosa. The Nobel thus not only crowns a career but provides the basis for a fine future Javier Bardem/Antonio Banderas movie.”)
Art Spiegelman spoke with NPR’s Weekend Edition about his issues with depth perception, his work habits, his changing art interests, and how Maus came about. Bonus: Charles-Adam Foster-Simard checked out the Vancouver Art Gallery’s Spiegelman exhibit last summer.
In a recent article on Irène Némirovsky’s daughter Élisabeth Gille, Ruth Franklin picks up where our own Emily St. John Mandel left off.
"What you might call an invisible economy of house sitters exists across the country," writes Aaron Gilbreath in the Paris Review. His account of the generosity and clean counter-spaces of friends is a humbling reminder of the flip side of creative work.