Is the end nigh for the famed Rainbow Room? Well, if it is, it’ll live on through passages like this one from Alvin Levin’s Love Is Like Park Avenue.
The End of the Rainbow Room
Tuesday New Release Day: Barry; Critchley; Tranströmer; Kolaya; Angell
Out this week: Beatlebone by Kevin Barry; Memory Theater by Simon Critchley; Bright Scythe: Selected Poems by Tomas Tranströmer; Charmed Particles by Chrissy Kolaya; and This Old Man by Roger Angell. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
●
●
The Rooster Culminates
If you haven’t been following The Morning News Tournament of Books, now is the time to catch up. There’s been ample drama and the always insightful commentary from the booth. The finalists are set – Wolf Hall and The Lacuna – and the champion will be revealed on Monday.
●
●
Poetry Anonymous
There are a lot of reasons to start writing poetry, but McSweeney’s gives you a list on when to put the pen down. “You were witty that one time while drinking wine at book club” is not an excuse.
●
●
Appearing Elsewhere
Millions contributor Sonya Chung will be reading from her forthcoming novel, Long for This World, at KGB Bar in the East Village NYC, on Friday, Oct. 16 at 7pm. With Sara Goudarzi and Daniel Meltzer.
New Models for Publishing
A very thoughtful essay by Millions contributor Patrick at his home base, the Vromans bookstore blog. The nut of the piece is the idea that publishers can and should create stronger brand identities. Patrick points out some publishers that are already doing this, and there’s some great stuff in the comments as well. The piece is a reaction to an equally interesting essay from if:book.
●
●
Plot Framing Device or Facebook Marketing Plot?
Though not exactly the first to do so, Kyle Rutkin is asking for $4,000 on Kickstarter to fund his writing a novel entirely through the Facebook timeline.
Not Dead Yet
Apocalyptic literature is nothing new, but it may, according to Grayson Clary, be entering a new era. In Bookforum, he argues that Benjamin Percy’s The Dead Lands ushers the genre into its mannerist phase. Sample quote: “The Dead Lands is really the stripped, buffed skeleton of a road story, set up to show off—attractively—an enormous quantity of decorating tropes.” You could also read our interview with Percy.
●
●