Is the end nigh for the famed Rainbow Room? Well, if it is, it’ll live on through passages like this one from Alvin Levin’s Love Is Like Park Avenue.
The End of the Rainbow Room
War Stories
Matthew Jakubowski writes an experimental review of the first English translation of Mercè Rodoreda’s final novel, War, So Much War. Pair with this excerpt from the novel, which appeared in the new issue of Harper’s.
On Formative Viewings
At The Guardian’s website, Joe Queenan examines a little-known film, The Life and Death of Colonel Blimp, that “beguiled” Martin Scorcese when he was just twelve years old.
You Know AP and Chicago Style. Now learn CIA style.
Among the recommendations and rules listed in the CIA’s official style guide: favor the active voice; keep sentences and paragraphs short; boats should not be referred to with gendered pronouns; and the “w” in “Vietnam war” should be lower case because war wasn’t officially declared.
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Tuesday New Release Day: Baxter, McElroy, McSweeney’s, Carey
New out this week is Gryphon, Charles Baxter’s new collection of stories. Joseph McElroy also has a new collection of stories out, Night Soul. The latest McSweeney’s (featuring that fragment from an abandoned novel by Michael Chabon) is now available, and new in paperback is Peter Carey’s Parrot and Olivier in America. Many more new books to look forward to, of course, in our massive preview published last week.
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Can’t Get Enough LeBeouf
Shia LeBeouf’s written and illustrated a book of poetry entitled Let’s Fucking Party, and you can check out a review of it over at Panels on Pages. How do you think this project compares with, say, James Franco’s Palo Alto?
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Dead Hand Control
“There is a term in the legal world for such instructions — dead hand control — and, although compliance has varied and enforceability is debatable, they have been attempted by artists from Franz Kafka to a Beastie Boy.” The New York Times explores the potential impact of Edward Albee‘s will on his work, including his instruction that any manuscripts incomplete at the time of his death be destroyed. Pairs perfectly with Aaron Hamburger‘s recollection of staying at the famous playwright’s place out in Long Island for an artists’ residency.
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