The Missouri Review interview with Jessa Crispin, founder of Bookslut. If you’ve yet to stumble upon the decade old literary blog, you might want to start with this recent post from Kevin Frazier on Edith Wharton and Julian Barnes. Or this treat from the archives about Monica McFawn Robinson trying to construct an undergraduate course syllabus on love.
“These are terrific diversions, but their status next to the book is a little ambiguous. Isn’t using animation to advertise a book a little like using sculpture to promote poetry?” asks Lindesay Irvine in this article about book trailers in The Guardian. If you’re looking for a diversion, this video short based on César Aira‘s Ghosts is certainly worth watching.
In the world of selling books, it’s not all about the sentences. At Ploughshares, agent Eric Nelson argues: A fresh plot matters and unusual characters do, too. “The most interesting books have characters who do the opposite of what we’d do… Imagine Hamlet, if Hamlet took decisive action. Horror movies wouldn’t exist at all without the idiot who always suggests they split up.”
The recent release of the transcription and accompanying CDs of Jacqueline Kennedy’s interviews with Arthur M. Schlesinger, Jr. in 1964, less than four months after her husband’s assassination, have left a writer wondering why nobody talks about Jackie O for who she really was – a mean girl.