Not only does China employ some two million censors to monitor microblogs and the internet, but the nation also has a formidable staff – both official and unofficial – to monitor literature and print publications. Indeed, reports Andrew Jacobs for The New York Times, “It is the editors at Chinese publishing houses themselves who often turn out to have the heaviest hands. ‘Self-censorship has become the most effective weapon,’ said the editor in chief of a prominent publishing house in Beijing … ‘If you let something slip through that catches the attention of a higher-up, it can be a career killer.’”
“A story works when there’s momentum, life behind the words,” Mary Miller told Matthew Salesses at The Rumpus. She needs that momentum for her new novel, The Last Days of California, about a family driving to California for the rapture. Also, Amy Butcher wrote about her favorite Millerisms at Hobart.
“There is a term in the legal world for such instructions — dead hand control — and, although compliance has varied and enforceability is debatable, they have been attempted by artists from Franz Kafka to a Beastie Boy.” The New York Times explores the potential impact of Edward Albee‘s will on his work, including his instruction that any manuscripts incomplete at the time of his death be destroyed. Pairs perfectly with Aaron Hamburger‘s recollection of staying at the famous playwright’s place out in Long Island for an artists’ residency.
“Ich am Geoffrey Chaucer, and my litel poeme the Parliament of Foweles was the first to combyne the peanut buttir of Februarye the XIVth wyth the milk chocolate of wooing. And so Ich feel responsible to helpe wyth sum advyce on thys daye.” Love advice from Chaucer, via NPR.
Megaupload’s demise has the internet in an uproar, but the shutdown of the sharing site is unlikely to put a dent in online piracy. Still, sites such as FileSonic, FileServe, and and Uploaded.to have taken matters into their own hands by disabling sharing access in the United States, and MediaFire’s CEO has issued a preemptive statement on the matter. None of this is particularly surprising, though, which is why it’s so refreshing–for all fans of Schadenfreude–to learn that Kim Dotcom, Megaupload’s “Goldfinger”-esque founder, plans on releasing an album in the near future.