Mark Dimunation was on the committee that selected the 88 books for the Library of Congress’s current “Books That Shaped America” exhibit. Recently he did an interview with NPR‘s Lynn Neary in which he explained how he arrived at his decisions to include such works as Goodnight Moon, The Joy Of Cooking, and Uncle Tom’s Cabin.
The longlist for Canada's 2010 Scotiabank Giller Prize has been announced. Notable omissions: "Ilustrado by Montreal’s Miguel Syjuco, which won the Man Asian Literary Award before it was even published; Beatrice and Virgil, Yann Martel’s first novel since his breakthrough Life of Pi; and, most notably, Room by Emma Donoghue, which was recently shortlisted for the Man Booker Prize."
The Table 4 Writers Foundation, which was established in the honor of Elaine Kaufman, will award $2,000 grants for never-before-published works of fiction and non-fiction. The deadline for submissions is October 15. (h/t Bill Morris, who has written about the foundation and grant program before.)
The Toast may be closing its doors soon, but that doesn't mean it isn't still putting out hilarious pieces. This week, it's Vape Aficionado's Guide to Finding a Token Lady-Writer, featuring such gems as: "Margaret Atwood: Because she’s good at Twitter and you forgot how to spell 'Le Guin,'" and "George Eliot: Whoops, you thought George was a dude, didn’t you? Purely accidental, but it still counts!"
We like big books and we cannot lie. But are books just continuing to get longer and longer? A new survey of bestsellers has concluded that the average book is now 25% bigger than its counterpart fifteen years ago. The Guardian investigates. Mark O’Connell at The Millions has his own theory about long books.
Here’s the story of one entrepreneur so intent on disrupting the antiquated status quo within his industry that he quit his organization and set out to found his own start-up. You’ve heard this story before. It’s John Milton’s Paradise Lost, and supposedly it can help your career in ways you haven’t even realized.
The F.B.I. had a massive file on James Baldwin in the fifties and sixties. Among other things, their notes featured passages of surprisingly adept criticism, including an oddly in-depth look at sexuality in his work. You could also read Justin Campbell on race, fatherhood and Baldwin’s fiction.