Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)
The U.S. Library of Congress has named its newest poet laureate, reports The New York Times. Tracy K. Smith says, “I’m very excited about the opportunity to take what I consider to be the good news of poetry to parts of the country where literary festivals don’t always go. Poetry is something that’s relevant to everyone’s life, whether they’re habitual readers of poetry or not.” Pair with our review of Smith’s memoir Ordinary Light.
“And so the book we have available to us is not the one she intended for us to see — and to those who knew her only as the private spouse of a public figure, Michelle McNamara emerges from these pages as much of a mystery as the Golden State Killer does, gone in the dark.” In Vulture, a profile of the late true crime writer Michelle McNamara whose book, I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer, was published last week. From our archives: an essay on why one writer reads true crime novels.
“Every story that works gets the level of description that it needs. Which isn’t to say that the level of description needed for every successful story is the same.” Tobias Carroll surveys the wide variety of detail density in fiction for Electric Literature.