Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)
New this week: Lincoln in the Bardo by George Saunders; Shadowbahn by Steve Erickson; The Fortunate Ones by Ellen Umansky; All That’s Left to Tell by Daniel Lowe; The Weight of Him by Ethel Rohan; The Dark Flood Rises by Margaret Drabble; and Be My Wolff by Emma Richler. For more on these and other new titles, go read our most recent book preview.
“We’ve often thought First Nations and indigenous students — if they don’t see themselves reflected.. how engaged they can be with the educational system?” The Huffington Post reports that a school board in southern Ontario is making a native-focused literature course mandatory after learning that those books “were more interesting and engaging to students than the classics.” The class curriculum includes As Long as the River Flows by James Bartleman, Green Grass, Running Water and Medicine River by Thomas King, the 7 Generations graphic novel series by David Alexander Robertson, and Indian Horse by Richard Wagamese. (Story via Book Riot.)
Stony Road Press has teamed up with the James Joyce Centre to release a limited edition handmade book, “reproducing the original 1914 text” of “The Dead,” and featuring really interesting hand printed illustrations by Robert Berry. Check out some examples here, here, and here.
The huge, McSweeney’s-published, John Sayles novel A Moment in the Sun has been getting great reviews. It’s now out. Also new this week is China Mieville’s Embassytown, reviewed here today; Paul Theroux’s exploration of the genre of travel writing, The Tao of Travel; prizewinning Nigerian author Helon Habila’s new novel Oil on Water; and A Day in the Life of a Smiling Woman, the complete stories of Margaret Drabble, recently written up by Joyce Carol Oates in the New Yorker. New in paperback are a pair of Millions Hall of Famers, Emma Donoghue’s Room and Justin Cronin’s The Passage.