With the full trailer out for the upcoming James Bond release, Skyfall, I have to confess I’m totally obsessing over British spy stuff of late. Luckily there are some supplements to scratch that itch: Tina Rosenberg’s new story for The Atavist, D for Deception, about a real British spy writer who became a spy himself; Bee Wilson’s fascinating review of Ben MacIntyre’s outrageous but true investigation of WWII double agents, Double Cross: The True Story of the D-Day Spies; Alexander Cockburn’s recap of the time George Orwell supplied “a list of the names of persons on the left who he deemed security risks” to the IRD; the story of Ernest Hemingway’s lousy espionage; and the video Her Royal Majesty’s recent skydiving escapade with 007.
Are you a guy with good taste in frames and fiction? Then come to the next I Like Your Glasses: Literary Speed Dating. CoverSpy and Housing Works Bookstore Cafe will be hosting the event on February 12 at the store. Tickets are $15 (including a free drink), but gents can get their tickets for $12 if they use the promotional code "QUEEQUEG." To see what you're in for, read our essay on attending the first I Like Your Glasses.
Another posthumously published Roberto Bolaño novel has arrived, The Third Reich. Time to update our Bolaño Syllabus again? Also posthumously published is Michael Crichton's Micro, which was a third finished when he died and was completed using Crichton's notes by Richard Preston. Also new this week is Stephen Sondheim's Look, I Made a Hat: Collected Lyrics (1981-2011).
“On the day I moved in, without giving it any thought, we started to refer to one storage space—there are three, two low-ceilinged ones on either side of the pitch-roofed room and one closet—as ‘the bad area.’ We had barely walked in, we (at least I) had forgotten the ghost, and here we were—‘the bad area.’” Amie Barrodale writes at The Paris Review Daily about life in a haunted apartment.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”