Before Dr. Seuss penned the Lorax who spoke for the trees, he drew ads for Standard Oil, General Electric, and a host of other large corporations who spoke for a considerably different constituency. This great collection of advertising artwork from Theodore Seuss Geisel courtesy of the Mandeville Special Collections Library at the University of California, San Diego.
If you’re the kind of person who might fall asleep while reading a page-turner, you’re not alone. For Read It Forward, Jonathan Russell Clark writes about the challenge of literary sleepiness. For more of his writing, check out his essay on the art of the final sentence for The Millions.
Good news! According to Vinson Cunningham’s new essay in The New Yorker, beauty merely “masks and perfumes … it freezes moral categories in place,” whereas ugliness, on the other hand, “is sometimes the closest thing to the truth.” Wait, is that good news? Bonus: Vinson wrote a Year in Reading piece for us.
“I learned through imitation, but it was only when I followed—or found—my own voice that I was able to derive a different kind of inspiration from reading fiction, something subtler and more expansive. Today, when I reach a wall in my own work, I turn to authors I love to remind myself what is possible: that sentence, that structure, that daring twist of plot.” Chloe Benjamin, who just yesterday published a piece on choosing book titles for The Millions, writes about the dangers and rewards of reading while writing for Poets and Writers’ Recommends series.