Before Dr. Seuss penned the Lorax who spoke for the trees, he drew ads for Standard Oil, General Electric, and a host of other large corporations who spoke for a considerably different constituency. This great collection of advertising artwork from Theodore Seuss Geisel courtesy of the Mandeville Special Collections Library at the University of California, San Diego.
"I had invented a writing table out of a wheelbarrow in the coal bunker, just beyond a wall from where a dynamo ran. It made a deep, constant humming noise. There was no more work to do until about 4 a.m., when we would have to clean the fires and get up steam again." The University of Mississippi power plant where William Faulkner wrote his self-styled "tour-de-force" As I Lay Dying is slated to be demolished. Here's a nice, complementary piece on slowing down to read Faulkner.
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
Out this week: Made for Love by Alissa Nutting; The Reason You're Alive by Matthew Quick; The Graybar Hotel by Curtis Dawkins; The Tower of the Antilles by Achy Obejas; Out in the Open by Jesús Carrasco; and Who Is Rich? by Matthew Klam. For more on these and other new titles, go read our most recent book preview.