Before Dr. Seuss penned the Lorax who spoke for the trees, he drew ads for Standard Oil, General Electric, and a host of other large corporations who spoke for a considerably different constituency. This great collection of advertising artwork from Theodore Seuss Geisel courtesy of the Mandeville Special Collections Library at the University of California, San Diego.
What’s it like to win the Literary Review‘s Bad Sex award? As 2010 “winner” Rowan Somerville reports, “It’s a hard pill to swallow … Despite the magazine’s assertion that ‘it’s only a bit of fun’ there’s an atmosphere of bullying peculiar to public schools about the whole thing.”
A Little Life by Hanya Yanagihara is scooping up award nominations left and right. Given the relative heaping of praise, it’s interesting to hear a dissenting voice. This review from the London Review of Books offers us just that. If it’s more Yanagihara you’re after, here she is in a recent interview for The Millions.
The Great Gatsby debuted in 1925 to poor sales and mediocre reviews. So how did it become one of the most famous novels in America? At Slate, Cristina Hartmann explains how Fitzgerald’s opus, which netted the author royalties worth a grand total of $13 in his lifetime, went on to become a classic. Related: our own Bill Morris on a book about the novel by Sarah Churchwell. (h/t The Paris Review Daily)
I’m feeling surprisingly broken up about this: Reading Rainbow comes to the end of its 26-year run on Friday.