The best longread you're likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America's decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
Michael K. Williams, best known to some as The Wire’s Omar Little or Boardwalk Empire’s Chalky White, talks publicly for the first time about his battles with addiction, and how his stint on the Baltimore crime drama coincided with some of the lowest points in his life. “I suffered from a huge identity crisis,” Williams says. “In the end, I was more comfortable with Omar’s skin than my own. That was a problem.”
"[YOU can only speak to what you experienced outside several seconds after your coworker entered the building, but several seconds before YOU yourself reached your cubicle. YOU do not know if it is in fact still raining out. YOU say nothing and are forever plagued by the unknowable nature of the immediate present.]" These short existentialist plays starring you and your coworkers are sure to stir up some feelings of gloom, doom, and familiarity.
To commemorate publication of the 65th anniversary edition of Raymond Queneau’s Exercises in Style, New Directions has asked ten contemporary writers to “create new exercises in homage to Queneau.” Over at The Rumpus, you can check out Jonathan Lethem’s “Cyberpunk” exercise, as well as one of Queneau’s twenty eight “never before translated” exercises making its English debut in the new edition. Bonus: read our own Mark O’Connell on the “radical claims about the relationship between form and content” in Queneau’s writing.