Following Sarah Hepola’s devastating New York Times Magazine profile of Cat Marnell with empathy and queer theory, Jane Hu’s piece on what it means to read Marnell, to follow her and crave her work even as her work destroys her, merits reading and rereading.
How was Charlotte Brontë at 8? According to her school reports, she “‘[wrote] indifferently’ and ‘[knew] nothing of grammar, geography, history, or accomplishments”. Of course, she went on to write Jane Eyre, and as The Guardian points out, many a famous writer received middling reports in school, so maybe there’s hope for other “indifferent’ writers.
The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.
Recommended Reading: Here’s some helpful advice we all could use — how to raise a mensch: “Less obvious but equally central values that Marjorie Ingall highlights include having a healthy distrust of authority. Jews come from a vertiginously long tradition of ‘questioning, yammering, challenging and disputing,’ she writes. ‘The Talmud, the compendium of Jewish law, is pretty much a bunch of dudes contradicting one another. Each page is a big box of text in the middle, and wrapped around it like a frame is lots of ‘Wait, you think what?’ '”