Following Sarah Hepola’s devastating New York Times Magazine profile of Cat Marnell with empathy and queer theory, Jane Hu’s piece on what it means to read Marnell, to follow her and crave her work even as her work destroys her, merits reading and rereading.
Literary Bald Britney Spears
New Release Tuesday
New on shelves this week is John Banville’s The Infinities. Also just out is Reality Hunger: A Manifesto by David Shields. (See our early look at the book, our two–part interview with Shields, and Shields’ Year in Reading.)
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“Mea maxima culpa”
At The New Republic, Andrew Wylie talks about how he made millions off strictly “highbrow” fiction, a category which (for those who are curious) does not include the works of James Michener and the late Tom Clancy. Wylie — whose clients include Philip Roth, Martin Amis and Mary Gaitskill — suggests that a modern literary agency “needs to be able to expand infinitely, like a Borgesian library.”
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A Convergence of Cowboys
For the Los Angeles Review of Books, Sean McCoy reports on the 35th National Cowboy Poetry Gathering and tells you everything you didn't know about the history and aesthetics of cowboy poetry.
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BookExpo America
John Green, Tina Fey, and “a book-swapping/speed-dating cocktail hour”: BookExpo America has taken over Manhattan’s Javitz Center, and if you live anywhere near New York we think you might want to check out the public BookCon event this Saturday. We’re not saying you’ll meet the love of your life, but maybe you’ll win the Hunger Games trivia contest.
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“It is difficult to make a living”
“There is a possibility of your having a decent attitude toward people and work. That alone may make a man of you.” Wise words from Sherwood Anderson.
Not Really a Good Person
“I wasn’t exactly feeling this. Still, I did try to rationalize what I was doing: maybe being altruistic and selfish at the same time was actually a good way to live, making sure sacrifice doesn’t go too far?” A psalm for a selfish hospice volunteer from Andy Mozina over at Electric Literature.
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Enigmatic, Disturbing Sirens
Marina Warner reviews the “enigmatic and brief” and somewhat disturbing “The Professor and the Siren” for The Paris Review. As luck would have it, our own Sonya Chung reviewed the same story for The Millions.
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