The latest installment of #LitBeat involves musings on puritanical projection, the phrases “ass-banging” and “mucus flaps” and a least one instance of the word “boner.” Our correspondent was there for The New Inquiry read along of Millions contributor Mike Thomsen’s new book, Levitate the Primate: Handjobs, Internet Dating, and Other Issues for Men.
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”
James Hynes discusses the books he read when writing his latest novel, Next: “I wanted to see if I could write a day-in-the-life novel, a narrative that would be set in a single day, or part of one, and by working backwards and forwards through flashbacks, encompass the entire life of a single character.”
Some criminals in my home town of Calgary, Alberta, were recently picked up in a drug bust. Their drugs, weapons, and cash were all confiscated. But did the cops take away their autographed copy of Crime School: Money Laundering? Full credit: Moby Lives totally scooped us on this thrilling story of criminal readers.
“Andre Dubus’s literary superpower is to hit upon that one thing about a character that makes him him, or her her. And in so doing, with subtle, clever details—breadcrumbs on the trail to the nucleus of a character—he makes a reader want to keep going, because she knows exactly who these people are and has to know what happens to them.” On the Selected Stories of Andre Dubus.
“Maybe I [felt] a shift in responsibility when I had kids. I wanted the work I was doing, whatever it was, to be something that could be meaningful to them one day. That’s where the germ of the memoir came from. I thought that perhaps writing about my parents and where I came from would one day be helpful for my kids.” For Guernica, Christopher Kondrich interviews Tracy K. Smith about writing a memoir, the presence of David Bowie in her Life on Mars, and her reverence for the cosmic. Also check out Sophia Nguyen’s Millions review of Smith’s memoir, Ordinary Light.