This week, Allison K. Gibson looked into the “awkward but necessary role of technology in fiction,” and what it means to include it or overlook it in a given work of fiction. Similarly, what’s with the absence of birth scenes in literature?
Let’s Get a Novelist to Write a Birth Scene Transmitted via Skype
The Nervous Breakdown
If you haven’t already, be sure to check out the new books and culture website The Nervous Breakdown. They’ve already got a great interview with Millions favorite Dan Chaon, as well as some interesting essays that I’m looking forward to digging into. I also like their “self-interview” series–where writers ask, and answer, their own questions.
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The Art of Villanelle Isn’t Hard to Master
The villanelle, beloved by Elizabeth Bishop, Sylvia Plath, and Dylan Thomas, might be making a comeback.
“Unfilmable” Novel to be Filmed
Salman Rushdie’s “unfilmable” novel Midnight’s Children, winner of the “Booker of Bookers,” is apparently coming to the big screen.
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Skylight Books Commercial
Is Skylight Books the first independent bookstore with a television commercial? Either way, it’s certainly the only commercial (bookstore or otherwise) featuring two Millions contributors–and their dog!
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Reading from the Man Booker Shortlist
We recently announced the shortlist for the Man Booker Prize. At Granta, you can read an excerpt from Sunjeev Sahota’s The Year of the Runaways, included on the list.
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Clearness, Wetness, Coolness
Anne Carson has a new story in this week’s issue of The New Yorker, about swimming and its discontents. As she puts it, “People think swimming is carefree and effortless. A bath! In fact, it is full of anxieties.” Pair with her first published short story in the January issue of Harper’s.
The Widening Spell
“Ah, I think, a lizard-poet. This particular category was one I had concocted years before to describe those poets who were too Olympian to mingle with the rest of us, who stood to the side, detached, having feelings.” Remembering Larry Levis, whose book of last poems, The Darkening Trapeze, was released this past week.
I believe that much of female experience is still uncharted territory, especially concerning the body. One birth scene that comes to mind is from Sylvia Plath’s journals– very immediate and moving. I remember a teacher my sophomore year (24 years ago!!) talking about THE GOLDEN NOTEBOOK and a graphic description of menstruation and tampons..the professor discussed .how initially she recoiled from the scene and on reflection, embraced it. Somebody mentioned THE WATERFALL in the Guardian comments…I don’t remember the birth scene so much but the aftermath was a really evocative description of early days with a newborn.