Newbery Medalist and Good Masters! Sweet Ladies! author Laura Amy Schlitz was interviewed for Publisher’s Weekly. She discussed her latest novel, Splendors and Glooms, which “allowed [Schlitz] to marry two of her passions in a single work – [Charles] Dickens and marionettes,” as well as her “half-hour, one-page trick” for writing.
Recommended Reading: Meryl Cates of The Paris Review gets Millayed in Edna St. Vincent Millay’s gardens at Steepletop, the New England-style farmhouse where the Pulitzer Prize-winning poet worked and played. Pair with this essay from The Millions on reading writers’ houses.
“All over the country research libraries are canceling subscriptions to academic journals,” notes Robert Darnton, “because they are caught between decreasing budgets and increasing costs. The logic of the bottom line is inescapable, but there is a higher logic that deserves consideration—namely, that the public should have access to knowledge produced with public funds.”
Cutting out large chunks of a book is pretty common, but cutting out 200 pages is a little unusual. While working on his latest novel, Joshua Ferris decided to abandon the elements drawn from crime fiction, which meant he had to toss out a huge portion of his draft. “Now that was a fun day,” he says.