“It just goes to show you: it’s not just luck you need to have a successful literary career. It’s luck, piled on luck, piled on luck again, and around the corner, you need another sprinkling of it” says Michelle Dean, after investigating Stephen King’s rise in response partly to Dwight Allen’s “Snob Notes” on the author. Colin Dickey and Sarah Langan have both previously weighed on on Allen’s essay and King’s particular strengths.
Before James Franco’s class began, he assigned each of his students to conceive a short film inspired by a different C.K. Williams poem about “decay, but also a sense of memory and rejuvenation.” This November, the class will travel to Detroit to shoot the movie.
“People are deeply uncomfortable with the idea that the characters they love and regard as people, real people, were made up by someone, especially if that someone is a woman.” Cassandra Clare, the author who began by writing fanfiction and went on to pen the wildly successful The Mortal Instruments series, talks about her work with Penelope Green.
“To be able to sing under that kind of oppression I think, in a lot of ways, is the very essence of survival, of a people, of the ability to have to the hope to make something beautiful amongst so much wretchedness.” Tyehimba Jess, author of the fantastic new collection of poetry Olio, is interviewed over at The Literary Hub.
n+1’s Research Collective has posted the introduction to Ellen Willis’s No More Nice Girls: Countercultural Essays (1992), and plans to post a series of essays by the seamless activist and writer– “Her refusal to subsume her personality to a movement, or to ignore the things that were important to her, remains an inspiration.”