Gore Vidal has died at the age of 86. The prominent author, screenwriter, Norman Mailer-nemesis and political activist published 25 novels, two memoirs and many, many essay volumes in addition to plays, screenplays, and television scripts. For a time, he even loaned his own visage to the silver screen, as Mindy Hung recently pointed out on our site.
In today’s NY Times, former Simon & Schuster executive Joni Evans ruminates on the Darwinian transformation of publishing, from tactile and sensory (paper and fountain-pen stains and typewriter bells) to e-everything (bidding wars and clean desks); she herself picked flight over fight.
Recommended Reading: Laura Gianino at The Rumpus on seeing The Boss, Bruce Springsteen: “It felt silly to me, as a Springsteen fan of approximately four hours, to tell Keith that I felt Bruce understood me, too, but I realized somewhere in the middle of the show that Bruce was the same age when writing those songs as Keith and I were as we listened. Maybe I was just caught up in the moment. But if that were true, so was everyone.”
Over on The Busy Signal, Matthew Hunte presents 75 Notes For An Unwritten Essay on Literary Prizes. (22. “Want it? Want it? Of course I wanted it. I wanted it so fucking bad I could taste it!”)
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
“Like reading, love works in roughly the same way every time, but the details of any given case are irreducibly particular, and it’s in the details that everything happens.” Lidija Haas on Elif Batuman’s debut novel, The Idiot. (You could also read our review by Virginia Marshall.)