Looking for something to watch this weekend? Got Hulu Plus? Well, start working your way through the veritable treasure trove that is the Criterion Collection. And don’t worry. If you’re as overwhelmed by the selection as I am, this top ten list by filmmaker Dean Peterson can serve as a great guide. Also, for what it’s worth, I’m partial to Andrei Tarkovsky’s Andrei Rublev.
Get Your Popcorn Ready. The Criterion Collection Hits Hulu Plus.
Reasons to Read the Classics
In 1968 Italo Calvino published 14 reasons why we should read the classics, and his list still feels relevant. Pair with the Millions’s essay on, well, reading the classics.
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Pig Tales
“I move in a desultory society and often a week or two will roll by without my going to anybody’s house to dinner or anyone’s coming to mine, but when an occasion does arise, and I am summoned, something usually turns up (an hour or two in advance) to make all human intercourse seem vastly inappropriate.” In the new issue of The Atlantic Weekly (not to be confused with the Monthly), a reprint of a classic E.B. White essay.
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Letting Autism Actually Speak
“If we have no internal lives, then artists are free to make them for us, or to use us as tools for providing depth and motivation to the non-autistic characters, the real ones.” Sarah Kurchak writes for Electric Literature on the abysmal state of autistic representation in books, film, and television, namechecking both The Curious Incident of the Dog in the Night-Time and A Visit From the Goon Squad, which we considered here and here, respectively.
“I was born as a woman, I talk you to death”
Recommended Reading: “The Hypno-Domme Speaks, and Speaks and Speaks” by Patricia Lockwood, which has been in my head for two days now.
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N.K. Jemisin on Octavia Butler
N.K. Jemisin writes an introduction to Octavia Butler's Parable of the Sower, in a reissued edition coming this April from Grand Central Publishing.
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The Elmore Enigma
Elmore Leonard was a very cinematic writer, yet why are most adaptations of his work so bad? Christopher Orr explores what he calls the “Elmore Leonard paradox” in The Atlantic. “Most of the early adaptations of Leonard’s crime work missed his light authorial touch, opting instead for somber noir.” Pair with: Our own Bill Morris’s essay on why Leonard was such a good writer.
Lot by Lot
Valeria Luiselli has a new novel coming out, and BOMB has an exclusive excerpt. Titled “Hyperbolics,” it juxtaposes the goings-on at a church auction with descriptions of items on offer, which steadily grow macabre. You might want to check out her first novel after reading it to get some context.