Casting for Josh Boone’s movie adaptation of John Green’s The Fault In Our Stars is coming together nicely. This past week, it was announced that Laura Dern has joined the cast as the mother of Hazel Grace Lancaster (Shailene Woodley). Production is set to begin next month. A few months back, our own Janet Potter wrote that, “besides a small infinity of other things, [this book] will make you cry.”
Modern day celebrities aren't the only victims of Photoshop. Paula Byrne, a Jane Austen biographer, believes that Austen has been "airbrushed" on her £10 Bank of England note. The portrait makes her look like "a pretty doll with big doe eyes" and diminishes her reputation as an author, Byrne argues.
Over at McSweeney’s, Sarah Solomon has undertaken the Sisyphean task of bringing existentialism into the twenty-first century. In a series of brief vignettes, Solomon gives the oft-maligned Millennial generation the existentialist makeover they never asked for. Continue your study of the absolute indifference of the universe with this essay by Zach Pontz on The Meursault Investigation, a new novel by Algerian journalist Kamel Daoud that imagines Albert Camus’s famous The Stranger from the perspective of the unnamed Arab antagonists.
“At the train station in Cerbère, France, M. and I have survived the grueling hike on the Sentier de la Liberté Walter Benjamin.” For Catapult, Gwen Strauss writes about climbing the path that Benjamin used to flee the Gestapo, only to take his own life at its terminus. See also: Kyle Chayka's recommendation of The Work of Art in the Age of Mechanical Reproduction in our own pages just last week.