If you enjoyed Sonya Chung’s interview with James Salter, you’ll want to check out this video of the author reflecting on his life, and what led to his decision to “write or perish.”
Extra Salter
Late American Novel Roundup
Coverage of The Late American Novel: Writers on the Future of Books (do you have your copy yet?) has been coming in at a steady clip: NYC publication CityArts takes a look; yours truly interviewed on The Marketplace of Ideas; Edward Champion offers a hasty response; the my co-editor sits down with his hometown paper.
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Women Writers’ Firsts
Over at Ploughshares, reflect on eight women writers’ accomplishments spanning twenty-six centuries. For more impressive writing by women, read Edan Lepucki and Meaghan O’Connell’s discussion of David Copperfield.
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Alas, Poor Everyone
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A Strange Kind of Sense
“I’m fascinated by epigenetics. My father had polio that affected his left leg, and I walk with my left foot turned in for no good reason at all. I was attacked by a dog when I was ten, and both my daughters have an irrational fear of dogs. It makes a strange kind of sense.” Year in Reading alum Rebecca Makkai discusses Music for Wartime and her writing process with Christine Rice. We interviewed Makkai following the release of The Hundred-Year House.
Put on Your Thinking/Dunce Cap
At Slate, David Wolf reviews a new biography of Rene Descartes, who he claims has developed a reputation as the philosophy world’s favorite punching bag.
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“Fight Club 4 Kids”
There are some charming children’s books, some really bad ones, and then finally there’s Fight Club 4 Kids, which somehow manages to be both. Watch Chuck Palahniuk read the (fake) children’s version of his classic novel in this video from Mashable.
The Unbearable Finitude of Reading
Beginning with the same premise—one can only read so many books in a given lifetime—two authors write very different articles: Maria Bustillos lists the recommendations of George Orwell, Henry Miller, and John Waters that she’s followed in an effort to maximize her short reading life. Marc Wortman wonders if authors are being paid by the page and, given our short lives, whether we should even bother with the behemoth volumes coming out recently.
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