With a deep look at the history of pronouns and a close reading of the lake has no saint, Dana Levin provides a thoughtful look at the everyday problems caused by “he,” “she,” and “they”.
Everyone has his problems
Much Better Than Downton Abbey, I Promise.
When you woke up this morning, did you say to yourself, “I wish I could listen to a bunch of lectures from the University of Texas’ British Studies curriculum?” If so, you’re in luck.
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Dear World
Heidi Julavits credits her habit of keeping a diary with convincing her that writing might be a viable career path. In her new book, The Folded Clock, she returns to the format of her childhood, crafting a lengthy diary meant to stand on its own as a narrative. In the Times, Eula Biss reads the book and reflects on our notions of the self. Related: Rachel Signer on the Julavits/Sheila Heti/Leanne Shapton project Women in Clothes.
Patron Saint of Decency & Feminism
Fanny Trollope, Anthony’s mother, taught America a thing or two about decency and feminism: her scathing pen wrote books about the excesses of American society and its alienation of women. Over at Bloom, Cynthia Miller Coffel writes about this trailblazing woman who should be considered “the patron saint of middle aged women writers.”
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Epic Fail In the Wall Street Journal
“Mr. [Mark] O’Connell is an intelligent and very funny writer,” says Barton Swaim in The Wall Street Journal. “But Epic Fail will also prompt you to consider how shallow—and ugly—humans can be.” (Bonus: a reference to getting pitted, just so pitted.)
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Women Writers’ Firsts
Over at Ploughshares, reflect on eight women writers’ accomplishments spanning twenty-six centuries. For more impressive writing by women, read Edan Lepucki and Meaghan O’Connell’s discussion of David Copperfield.
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Open and Shut
The Culturephiles want to put the kibosh on the “open letter” bit. What better way to tackle that than with an open letter.
Literary Maps of Another Kind
In anticipation of Adam Sternbergh’s novel, Shovel Ready, Chris Bilton and Sarah Liss collaborated on “the ultimate N.Y.C. dystopia map,” which serves as an amalgamation of “some of the darkest visions of the city.” Meanwhile, Jacob Silverman points us to a map of St. Petersburg, Russia, “made out of lines from Russian literature.” (Bonus: Sternbergh discusses his novel with the Los Angeles Times.)
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