Heidi Julavits credits her habit of keeping a diary with convincing her that writing might be a viable career path. In her new book, The Folded Clock, she returns to the format of her childhood, crafting a lengthy diary meant to stand on its own as a narrative. In the Times, Eula Biss reads the book and reflects on our notions of the self. Related: Rachel Signer on the Julavits/Sheila Heti/Leanne Shapton project Women in Clothes.
Fanny Trollope, Anthony’s mother, taught America a thing or two about decency and feminism: her scathing pen wrote books about the excesses of American society and its alienation of women. Over at Bloom, Cynthia Miller Coffel writes about this trailblazing woman who should be considered “the patron saint of middle aged women writers.”
In anticipation of Adam Sternbergh’s novel, Shovel Ready, Chris Bilton and Sarah Liss collaborated on “the ultimate N.Y.C. dystopia map,” which serves as an amalgamation of “some of the darkest visions of the city.” Meanwhile, Jacob Silverman points us to a map of St. Petersburg, Russia, “made out of lines from Russian literature.” (Bonus: Sternbergh discusses his novel with the Los Angeles Times.)