Proclaiming the death of the book has been in vogue nearly as long as the book itself. Leah Price presents a short history of our pessimism for the future of the written word.
"Psycho glories in narrative fractures and perverse behavior; it subverts the expectations of an audience already habituated to Hitchcockian suspense by pushing even further, masterfully administering a dose of sheer shock. Hitchcock, on the other hand, struggles to arouse even suspense." How to watch a film about the master of film.
Calling a book “the spiritual prequel to The Road” is a great way to signal its command of dystopian tropes. It’s what Gabe Durham wrote about Maxwell Neely-Cohen’s recent YA novel Echo of the Boom. At The Rumpus, Durham interviews Neely-Cohen, who describes how he tried to give a metafictional bent to the novel. Related: we asked high school students to pick their favorite YA books of 2013.
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar's Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg's adaptation of Don DeLillo's Cosmopolis.
Award-winning poet Alice Oswald has pulled out of prestigious poetry award the TS Eliot prize in protest over its sponsorship by an investment company. Oswald's words: "I think poetry should be questioning not endorsing such institutions."
"The terrible thing is that the reality behind these words depends ultimately on what the human being (meaning every single one of us) believes to be real. The terrible thing is that the reality behind all these words depends on choices one has got to make, for ever and ever and ever, every day." James Baldwin on the artist's struggle for "integrity." Here's a bonus piece from The Millions on Baldwin, race, and fatherhood.