Proclaiming the death of the book has been in vogue nearly as long as the book itself. Leah Price presents a short history of our pessimism for the future of the written word.
“On the way home, the girl did not notice the color of the sky or the shape of the night, as she was too busy questioning why there were no secrets anymore.” As part of its Recommended Reading series, Electric Literature offers a special seven-part serial by Joe Meno. “Star Witness” tells the story of a young woman in a small southern town who spends the night searching for a missing local girl, and we can’t wait to read the next six installments. Pair with our own Edan Lepucki‘s profile of Meno from a few years back: “[he] seems more than willing to try new things in his work, to stretch his expectations of what he can do as a writer, and what a book can be.”
To add to the awards lists, Believer has announced its editors’ shortlist for the Believer Book Award, which looks to acknowledge “the strongest and most underappreciated” novels of the year. The shortlist includes Danielle Dutton’s Sprawl; Kira Henehan’s Orion You Came and You Took All My Marbles (reviewed for The Millions); James Hynes‘ Next, Grace Krilanovich’s The Orange Eats Creeps (reviewed for The Millions); and Paul Murray’s Skippy Dies (reviewed here).
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”