James Gleick talks to one of the software engineers behind autocorrect, that “impish god” responsible for turning our ids to I’ds and moviestars to Natalie Portmanteaus. In response, Jen Doll wonders whether we love to hate autocorrect “because when it messes up we’re happily reminded that phones and computers are not actually smarter than people.”
“You can’t be worrying how you sound. You can’t wonder whether you or your characters are likable or smart or interesting. You have to be inside the scene—the tactile world of tables and chairs and sunlight—attending to your characters, people who exist for you in nonvirtual reality.” Paris Review editor Lorin Stein writes for The New York Times about solitude in the age of the Internet and the future of the book.
Out this week: The Throwback Special by Chris Bachelder; Burning Down the House by Jane Mendelsohn; Stork Mountain by Miroslav Penkov; Shelter by Jung Yun; Margaret the First by Danielle Dutton; and The North Water by Ian McGuire. For more on these and other new titles, go read our Great 2016 Book Preview.
At The New Republic, Andrew Wylie talks about how he made millions off strictly “highbrow” fiction, a category which (for those who are curious) does not include the works of James Michener and the late Tom Clancy. Wylie -- whose clients include Philip Roth, Martin Amis and Mary Gaitskill -- suggests that a modern literary agency “needs to be able to expand infinitely, like a Borgesian library.”
The internet's repository of Franz Kafka-inspired literary treats seems to have no bounds. This latest: his excellent short story "The Country Doctor" has been adapted by Japanese filmmaker Kōji Yamamura into a 20-minute animated film (subtitled). Kafka adaptations clearly aren't going anywhere. Pair with our essay on the subtle art of rereading his most famous story.
"Learning to really listen to it and learning to kind of embrace it, rather than running away from it, was a very useful thing to do," says Hari Kunzru of the sounds of New York City’s streets. The sirens, horns, and arguments are the inspiration for his new “multimedia book,” Twice Upon a Time: Listening to New York. (Bonus: Kunzru has participated in our Year in Reading series two times in the past.)